The Field of Drama: How the Signs of Drama Create Meaning on Stage and ScreenMethuen, 1987 - 190 pages Sumari: Introduction -- The field of drama -- The nature of drama -- The signs of drama: icon, index, symbol -- The signs of drama: the frame -- The signs of drama: the actor -- The signs of drama: visuals and design -- The signs of drama: the words -- The signs of drama: music and sound -- The signs of stage and screen -- Structure as signifier -- The performers and the audience --The audience's competence: social conventions and personal meanings -- A hierarchy of meanings. |
À l'intérieur du livre
Page 182
... Le Théâtre et l'existence , Paris : Vrin , 1980 Georg Friedrich Hegel , ( ed . A. & H. Paolucci ) , Hegel on Tragedy , N.Y .: Doubleday Anchor Books , 1962 André Helbo , Les Mots et les gestes . Essai sur le théâtre , Lille : Presses ...
... Le Théâtre et l'existence , Paris : Vrin , 1980 Georg Friedrich Hegel , ( ed . A. & H. Paolucci ) , Hegel on Tragedy , N.Y .: Doubleday Anchor Books , 1962 André Helbo , Les Mots et les gestes . Essai sur le théâtre , Lille : Presses ...
Table des matières
Preface page | 9 |
Introduction | 13 |
The Field of Drama | 22 |
Droits d'auteur | |
14 autres sections non affichées
Autres éditions - Tout afficher
The Field of Drama: How the Signs of Drama Create Meaning on Stage and Screen Martin Esslin Affichage d'extraits - 1987 |
The Field of Drama: How the Signs of Drama Create Meaning on Stage and Screen Martin Esslin Aucun aperçu disponible - 1987 |
Expressions et termes fréquents
acting action actors actually analysis appear aspects attention audience basic become characters cinema clearly communication complex concentration consciously contain conventions convey costume course create critical cultural depends derive designer dialogue direct director drama dramatic performance effects elements emerge emotional essential example experience expression fact fictional field film function gestures given hand happening hence highly human iconic impact important indicate individual influence intended interpretation language less light live look make-up meaning merely metaphor moral movement multitude nature objects original patterns perceived person picture play political possible powerful practical present produces remain represented scene screen seen semiotics sense sequence sign systems signifiers situation situation comedy social society space specific spectator spectator's stage stand structure symbolic television tend theatre tion true turn ultimate understand verbal visual whole