The Holocaust in French Film
Scarecrow Press, 1 janv. 1993 - 435 pages
This pioneering study analyzes representations of the Holocaust in French cinema from 1940 on. Through the use of such pivotal films as Night and Fog, The Sorrow and the Pity, and Shoah, it examines the difficulties with which French cinema answers three main questions: What happened, who is responsible, and how can we be sure we will never forget? Colombat then provides detailed analyses of the most widely praised French films dealing with the Holocaust (including works by Orphuls, Losey, and Malle). The book also contains film stills, a detailed filmography, bibliography, index, and a lengthy interview with director Pierre Sauvage.
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Deportation Resistance and Betrayal
Nazis Collaborators and the Holocaust
The Struggle for Accuracy
6 autres sections non affichées
Alain Alain Resnais analysis analyze anti-Semitism arrested audience Auschwitz Barbie's black and white camera Cayrol Chambon character children of Izieu Claude Claude Lanzmann Collaboration committed Consequently crimes criticism death Deguy deportation directly director documentary European Jews extermination extremely feelings final France French cinema German Gestapo Ghetto Goodbye Children happened hiding historical footage Holocaust Hotel Terminus images important individual Insdorf insists interpretation interview irony Izieu Jean Jewish Jews Julien Klaus Barbie Lacombe Lucien Lanzmann Louis Malle Malle Malle's Marcel Ophiils Memory of Justice Mendes-France montage Nazis never newsreel Night and Fog Occupation Ophiils Ophuls past persecution Petain Pierre Sauvage's Pity played political precisely Predal present propaganda questions reality representation Resistance Resnais responsibility reveal Robert Klein role Rossif Sauvage scene segment sequence Shoah shot showing shown Sorrow spectator story survive survivors tell testimonies themes throughout the film totally trial understand Vichy victims violent witnesses
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