The Holocaust in French FilmScarecrow Press, 1993 - 435 pages This pioneering study analyzes representations of the Holocaust in French cinema from 1940 on. Through the use of such pivotal films as Night and Fog, The Sorrow and the Pity, and Shoah, it examines the difficulties with which French cinema answers three main questions: What happened, who is responsible, and how can we be sure we will never forget? Colombat then provides detailed analyses of the most widely praised French films dealing with the Holocaust (including works by Orphuls, Losey, and Malle). The book also contains film stills, a detailed filmography, bibliography, index, and a lengthy interview with director Pierre Sauvage. |
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Page 50
... Marcel Oppenheimer , Ophüls spent the first years of his life in Berlin . His parents ( Max Ophüls and Hilde Wall ) fled from Nazi Germany in 1933 , the day after the Reichstag fire . Since 1928 his father , Max Ophüls , had become an ...
... Marcel Oppenheimer , Ophüls spent the first years of his life in Berlin . His parents ( Max Ophüls and Hilde Wall ) fled from Nazi Germany in 1933 , the day after the Reichstag fire . Since 1928 his father , Max Ophüls , had become an ...
Page 51
... Marcel Ophüls finally made his first feature film in 1963 ( Peau de bananes - Banana Peel ) . It was a comedy with ... Ophüls himself this was in great part due to the fact that his film was not following the rules of the then very ...
... Marcel Ophüls finally made his first feature film in 1963 ( Peau de bananes - Banana Peel ) . It was a comedy with ... Ophüls himself this was in great part due to the fact that his film was not following the rules of the then very ...
Page 193
... Marcel Ophüls was there , lived through this , and gives us the best account since the first half hour of René Clément's Forbidden Games [ ... ] But Marcel Ophüls was not there later on : hence the weakness of the second half , " The ...
... Marcel Ophüls was there , lived through this , and gives us the best account since the first half hour of René Clément's Forbidden Games [ ... ] But Marcel Ophüls was not there later on : hence the weakness of the second half , " The ...
Table des matières
Persecution in the Golden Age of French Cinema | 7 |
Deportation Resistance and Betrayal | 19 |
Nazis Collaborators and the Holocaust | 29 |
Droits d'auteur | |
7 autres sections non affichées
Expressions et termes fréquents
Alain Resnais analysis analyze anti-Semitism audience Auschwitz Barbie's black and white Cahiers du cinéma camera Cayrol Chambon character children of Izieu Claude Lanzmann Claude Lanzmann's Collaboration committed Consequently crimes death Deguy deportation directly director documentary European Jews extermination extremely feelings final France French cinema German Ghetto Goodbye Children happened hiding historical footage Holocaust Hotel Terminus images important individual Insdorf insists interpretation interview irony Izieu Jean Jewish Jews Julien Klaus Barbie Korczak Lacombe Lucien Lanzmann Le Chambon Louis Malle Malle Malle's Marcel Ophüls Memory of Justice Mendès-France Michel montage Nazis never newsreel Night and Fog Occupation Paris past persecution Pétain Pierre Sauvage's Pity played political precisely Prédal present propaganda questions reality representation Résistance responsibility reveal Robert Klein role Sauvage scene segment sequence Shoah shot showing shown Sorrow spectator story survivors tell testimonies themes throughout the film totally trial understand Vichy victims violent witnesses