The Holocaust in French FilmScarecrow Press, 1993 - 435 pages This pioneering study analyzes representations of the Holocaust in French cinema from 1940 on. Through the use of such pivotal films as Night and Fog, The Sorrow and the Pity, and Shoah, it examines the difficulties with which French cinema answers three main questions: What happened, who is responsible, and how can we be sure we will never forget? Colombat then provides detailed analyses of the most widely praised French films dealing with the Holocaust (including works by Orphuls, Losey, and Malle). The book also contains film stills, a detailed filmography, bibliography, index, and a lengthy interview with director Pierre Sauvage. |
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Page 97
... Shoah , in 1985 , and the second is the trial of Klaus Barbie , the " Butcher of Lyon , " in 1987. In reaction to ... Shoah was made primarily as an outcry against the real danger of rendering the Holocaust a trite historical fact among ...
... Shoah , in 1985 , and the second is the trial of Klaus Barbie , the " Butcher of Lyon , " in 1987. In reaction to ... Shoah was made primarily as an outcry against the real danger of rendering the Holocaust a trite historical fact among ...
Page 301
... Shoah defines itself as a work of art through its powerful conjunction of knowledge and image through the transmission of the testimonies of direct witnesses of the Shoah itself . In this regard , the film became for others an ...
... Shoah defines itself as a work of art through its powerful conjunction of knowledge and image through the transmission of the testimonies of direct witnesses of the Shoah itself . In this regard , the film became for others an ...
Page 307
... Shoah itself . As its title indicates Lanzmann's work is entirely structured around one word " Shoah " annihilation — and the impossibility of telling a story that , however , must be told and remembered . It is precisely because the ...
... Shoah itself . As its title indicates Lanzmann's work is entirely structured around one word " Shoah " annihilation — and the impossibility of telling a story that , however , must be told and remembered . It is precisely because the ...
Table des matières
Persecution in the Golden Age of French Cinema | 7 |
Deportation Resistance and Betrayal | 19 |
Nazis Collaborators and the Holocaust | 29 |
Droits d'auteur | |
7 autres sections non affichées
Expressions et termes fréquents
Alain Resnais analysis analyze anti-Semitism audience Auschwitz Barbie's black and white Cahiers du cinéma camera Cayrol Chambon character children of Izieu Claude Lanzmann Claude Lanzmann's Collaboration committed Consequently crimes death Deguy deportation directly director documentary European Jews extermination extremely feelings final France French cinema German Ghetto Goodbye Children happened hiding historical footage Holocaust Hotel Terminus images important individual Insdorf insists interpretation interview irony Izieu Jean Jewish Jews Julien Klaus Barbie Korczak Lacombe Lucien Lanzmann Le Chambon Louis Malle Malle Malle's Marcel Ophüls Memory of Justice Mendès-France Michel montage Nazis never newsreel Night and Fog Occupation Paris past persecution Pétain Pierre Sauvage's Pity played political precisely Prédal present propaganda questions reality representation Résistance responsibility reveal Robert Klein role Sauvage scene segment sequence Shoah shot showing shown Sorrow spectator story survivors tell testimonies themes throughout the film totally trial understand Vichy victims violent witnesses