The Holocaust in French FilmScarecrow Press, 1993 - 435 pages This pioneering study analyzes representations of the Holocaust in French cinema from 1940 on. Through the use of such pivotal films as Night and Fog, The Sorrow and the Pity, and Shoah, it examines the difficulties with which French cinema answers three main questions: What happened, who is responsible, and how can we be sure we will never forget? Colombat then provides detailed analyses of the most widely praised French films dealing with the Holocaust (including works by Orphuls, Losey, and Malle). The book also contains film stills, a detailed filmography, bibliography, index, and a lengthy interview with director Pierre Sauvage. |
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Page 77
... character , Malle was once again accused of sympathizing with his main character and with the extreme right . He had already been the target of such accusations when he made Un Ascenseur pour l'échafaud with the collaboration of Roger ...
... character , Malle was once again accused of sympathizing with his main character and with the extreme right . He had already been the target of such accusations when he made Un Ascenseur pour l'échafaud with the collaboration of Roger ...
Page 108
... character of Julien and the negative character of Lacombe have many common points . On many occasions , the character and psychology of Julien present us with a bourgeois version of Lacombe . During most of the film , like Lacombe ...
... character of Julien and the negative character of Lacombe have many common points . On many occasions , the character and psychology of Julien present us with a bourgeois version of Lacombe . During most of the film , like Lacombe ...
Page 275
... character during a few decisive days , living in a well - delimited space , at the limit of two worlds ( the Occupation and the Liberation ) and of two ages ( childhood and adulthood ) . As he did in his other films , Malle refuses here ...
... character during a few decisive days , living in a well - delimited space , at the limit of two worlds ( the Occupation and the Liberation ) and of two ages ( childhood and adulthood ) . As he did in his other films , Malle refuses here ...
Table des matières
Persecution in the Golden Age of French Cinema | 7 |
Deportation Resistance and Betrayal | 19 |
Nazis Collaborators and the Holocaust | 29 |
Droits d'auteur | |
7 autres sections non affichées
Expressions et termes fréquents
Alain Resnais analysis analyze anti-Semitism audience Auschwitz Barbie's black and white Cahiers du cinéma camera Cayrol Chambon character children of Izieu Claude Lanzmann Claude Lanzmann's Collaboration committed Consequently crimes death Deguy deportation directly director documentary European Jews extermination extremely feelings final France French cinema German Ghetto Goodbye Children happened hiding historical footage Holocaust Hotel Terminus images important individual Insdorf insists interpretation interview irony Izieu Jean Jewish Jews Julien Klaus Barbie Korczak Lacombe Lucien Lanzmann Le Chambon Louis Malle Malle Malle's Marcel Ophüls Memory of Justice Mendès-France Michel montage Nazis never newsreel Night and Fog Occupation Paris past persecution Pétain Pierre Sauvage's Pity played political precisely Prédal present propaganda questions reality representation Résistance responsibility reveal Robert Klein role Sauvage scene segment sequence Shoah shot showing shown Sorrow spectator story survivors tell testimonies themes throughout the film totally trial understand Vichy victims violent witnesses