The Holocaust in French FilmScarecrow Press, 1993 - 435 pages This pioneering study analyzes representations of the Holocaust in French cinema from 1940 on. Through the use of such pivotal films as Night and Fog, The Sorrow and the Pity, and Shoah, it examines the difficulties with which French cinema answers three main questions: What happened, who is responsible, and how can we be sure we will never forget? Colombat then provides detailed analyses of the most widely praised French films dealing with the Holocaust (including works by Orphuls, Losey, and Malle). The book also contains film stills, a detailed filmography, bibliography, index, and a lengthy interview with director Pierre Sauvage. |
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Page 68
... director's memories " are more vibrantly compelling than his contemporary existence " ( 40 ) . By using black and ... director in 1973. This obsessive aspect of the past within the present justifies the constant jumpcut parallels between ...
... director's memories " are more vibrantly compelling than his contemporary existence " ( 40 ) . By using black and ... director in 1973. This obsessive aspect of the past within the present justifies the constant jumpcut parallels between ...
Page 83
... director's family superimposed with a long travelling through the XIth arrondissement graveyard in Paris . On one occasion the travelling stops for a few seconds on a monument to the dead victims of Ravensbruck camp . The story is told ...
... director's family superimposed with a long travelling through the XIth arrondissement graveyard in Paris . On one occasion the travelling stops for a few seconds on a monument to the dead victims of Ravensbruck camp . The story is told ...
Page 208
... director corrects de Chambrun's wrong statistics about the Holocaust in The Sorrow and the Pity . These two rules of the director always work in parallel : respect others ' points of view and always follow your own pattern of thought ...
... director corrects de Chambrun's wrong statistics about the Holocaust in The Sorrow and the Pity . These two rules of the director always work in parallel : respect others ' points of view and always follow your own pattern of thought ...
Table des matières
Persecution in the Golden Age of French Cinema | 7 |
Deportation Resistance and Betrayal | 19 |
Nazis Collaborators and the Holocaust | 29 |
Droits d'auteur | |
7 autres sections non affichées
Expressions et termes fréquents
Alain Resnais analysis analyze anti-Semitism audience Auschwitz Barbie's black and white Cahiers du cinéma camera Cayrol Chambon character children of Izieu Claude Lanzmann Claude Lanzmann's Collaboration committed Consequently crimes death Deguy deportation directly director documentary European Jews extermination extremely feelings final France French cinema German Ghetto Goodbye Children happened hiding historical footage Holocaust Hotel Terminus images important individual Insdorf insists interpretation interview irony Izieu Jean Jewish Jews Julien Klaus Barbie Korczak Lacombe Lucien Lanzmann Le Chambon Louis Malle Malle Malle's Marcel Ophüls Memory of Justice Mendès-France Michel montage Nazis never newsreel Night and Fog Occupation Paris past persecution Pétain Pierre Sauvage's Pity played political precisely Prédal present propaganda questions reality representation Résistance responsibility reveal Robert Klein role Sauvage scene segment sequence Shoah shot showing shown Sorrow spectator story survivors tell testimonies themes throughout the film totally trial understand Vichy victims violent witnesses