The Holocaust in French FilmScarecrow Press, 1993 - 435 pages This pioneering study analyzes representations of the Holocaust in French cinema from 1940 on. Through the use of such pivotal films as Night and Fog, The Sorrow and the Pity, and Shoah, it examines the difficulties with which French cinema answers three main questions: What happened, who is responsible, and how can we be sure we will never forget? Colombat then provides detailed analyses of the most widely praised French films dealing with the Holocaust (including works by Orphuls, Losey, and Malle). The book also contains film stills, a detailed filmography, bibliography, index, and a lengthy interview with director Pierre Sauvage. |
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Page 204
... interview : The ninth and last kind of irony also deals directly with Ophüls ' interviewing techniques . It is ... interview Georges Lamirand , the former Minister of Youth of Vichy . The interview is conducted in the meeting hall of La ...
... interview : The ninth and last kind of irony also deals directly with Ophüls ' interviewing techniques . It is ... interview Georges Lamirand , the former Minister of Youth of Vichy . The interview is conducted in the meeting hall of La ...
Page 236
... interview quickly becomes very similar to the kind of defiant interviews Barbie was giving the world press before his extradition from Bolivia . At this point , this interview becomes a masterpiece within Ophüls ' work as the art of the ...
... interview quickly becomes very similar to the kind of defiant interviews Barbie was giving the world press before his extradition from Bolivia . At this point , this interview becomes a masterpiece within Ophüls ' work as the art of the ...
Page 329
... interview ( forty minutes ) of Jan Karski , conducted in his home in Washington , D.C. As is the case with Müller's interview , the image punctuates the testimony and its intensity with successions of medium shots , close - ups and ...
... interview ( forty minutes ) of Jan Karski , conducted in his home in Washington , D.C. As is the case with Müller's interview , the image punctuates the testimony and its intensity with successions of medium shots , close - ups and ...
Table des matières
Persecution in the Golden Age of French Cinema | 7 |
Deportation Resistance and Betrayal | 19 |
Nazis Collaborators and the Holocaust | 29 |
Droits d'auteur | |
7 autres sections non affichées
Expressions et termes fréquents
Alain Resnais analysis analyze anti-Semitism audience Auschwitz Barbie's black and white Cahiers du cinéma camera Cayrol Chambon character children of Izieu Claude Lanzmann Claude Lanzmann's Collaboration committed Consequently crimes death Deguy deportation directly director documentary European Jews extermination extremely feelings final France French cinema German Ghetto Goodbye Children happened hiding historical footage Holocaust Hotel Terminus images important individual Insdorf insists interpretation interview irony Izieu Jean Jewish Jews Julien Klaus Barbie Korczak Lacombe Lucien Lanzmann Le Chambon Louis Malle Malle Malle's Marcel Ophüls Memory of Justice Mendès-France Michel montage Nazis never newsreel Night and Fog Occupation Paris past persecution Pétain Pierre Sauvage's Pity played political precisely Prédal present propaganda questions reality representation Résistance responsibility reveal Robert Klein role Sauvage scene segment sequence Shoah shot showing shown Sorrow spectator story survivors tell testimonies themes throughout the film totally trial understand Vichy victims violent witnesses