The Holocaust in French FilmScarecrow Press, 1993 - 435 pages This pioneering study analyzes representations of the Holocaust in French cinema from 1940 on. Through the use of such pivotal films as Night and Fog, The Sorrow and the Pity, and Shoah, it examines the difficulties with which French cinema answers three main questions: What happened, who is responsible, and how can we be sure we will never forget? Colombat then provides detailed analyses of the most widely praised French films dealing with the Holocaust (including works by Orphuls, Losey, and Malle). The book also contains film stills, a detailed filmography, bibliography, index, and a lengthy interview with director Pierre Sauvage. |
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Page xix
... role , mainly since Ophüls ' The Sorrow and the Pity ( 1971 ) . This role is essential considering that , since 1945 , the world community has been unable to prevent many other genocides and war crimes throughout the world . For this ...
... role , mainly since Ophüls ' The Sorrow and the Pity ( 1971 ) . This role is essential considering that , since 1945 , the world community has been unable to prevent many other genocides and war crimes throughout the world . For this ...
Page 54
... role played by the British as the last defenders of a free and democratic Europe for which so many French were said ... role as a leader of the Résistance and a head of state . Pierre Mendès - France , founder in 1960 of the Socialist ...
... role played by the British as the last defenders of a free and democratic Europe for which so many French were said ... role as a leader of the Résistance and a head of state . Pierre Mendès - France , founder in 1960 of the Socialist ...
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... role . We will have to consider the function and the effects of the discreet and often minor role that they play or were given in this work . Finally , in the French bourgeois family , like in the German family , we see the audience ...
... role . We will have to consider the function and the effects of the discreet and often minor role that they play or were given in this work . Finally , in the French bourgeois family , like in the German family , we see the audience ...
Table des matières
Persecution in the Golden Age of French Cinema | 7 |
Deportation Resistance and Betrayal | 19 |
Nazis Collaborators and the Holocaust | 29 |
Droits d'auteur | |
7 autres sections non affichées
Expressions et termes fréquents
Alain Resnais analysis analyze anti-Semitism audience Auschwitz Barbie's black and white Cahiers du cinéma camera Cayrol Chambon character children of Izieu Claude Lanzmann Claude Lanzmann's Collaboration committed Consequently crimes death Deguy deportation directly director documentary European Jews extermination extremely feelings final France French cinema German Ghetto Goodbye Children happened hiding historical footage Holocaust Hotel Terminus images important individual Insdorf insists interpretation interview irony Izieu Jean Jewish Jews Julien Klaus Barbie Korczak Lacombe Lucien Lanzmann Le Chambon Louis Malle Malle Malle's Marcel Ophüls Memory of Justice Mendès-France Michel montage Nazis never newsreel Night and Fog Occupation Paris past persecution Pétain Pierre Sauvage's Pity played political precisely Prédal present propaganda questions reality representation Résistance responsibility reveal Robert Klein role Sauvage scene segment sequence Shoah shot showing shown Sorrow spectator story survivors tell testimonies themes throughout the film totally trial understand Vichy victims violent witnesses