The Holocaust in French FilmScarecrow Press, 1993 - 435 pages This pioneering study analyzes representations of the Holocaust in French cinema from 1940 on. Through the use of such pivotal films as Night and Fog, The Sorrow and the Pity, and Shoah, it examines the difficulties with which French cinema answers three main questions: What happened, who is responsible, and how can we be sure we will never forget? Colombat then provides detailed analyses of the most widely praised French films dealing with the Holocaust (including works by Orphuls, Losey, and Malle). The book also contains film stills, a detailed filmography, bibliography, index, and a lengthy interview with director Pierre Sauvage. |
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Page 267
... scene and the omnipresence of death through the films . In most classical French or Greek tragedies the dream of a character or a prediction announces a threatening , mysterious but unavoidable end . Regarding this point and Goodbye ...
... scene and the omnipresence of death through the films . In most classical French or Greek tragedies the dream of a character or a prediction announces a threatening , mysterious but unavoidable end . Regarding this point and Goodbye ...
Page 272
... scenes . It is the case , for example , with the scene during which the pupils must go to the shelter during an air bombing . The camera pans slowly to the right from the teacher to Julien and Jean , from the pure narration of an ...
... scenes . It is the case , for example , with the scene during which the pupils must go to the shelter during an air bombing . The camera pans slowly to the right from the teacher to Julien and Jean , from the pure narration of an ...
Page 334
... scene is interrupted by the procession leaving the church . After the procession , it is completely different . He ... scene also , the past is reenacted in front of our eyes . The traditional Catholic anti - Semitism of these Polish ...
... scene is interrupted by the procession leaving the church . After the procession , it is completely different . He ... scene also , the past is reenacted in front of our eyes . The traditional Catholic anti - Semitism of these Polish ...
Table des matières
Persecution in the Golden Age of French Cinema | 7 |
Deportation Resistance and Betrayal | 19 |
Nazis Collaborators and the Holocaust | 29 |
Droits d'auteur | |
7 autres sections non affichées
Expressions et termes fréquents
Alain Resnais analysis analyze anti-Semitism audience Auschwitz Barbie's black and white Cahiers du cinéma camera Cayrol Chambon character children of Izieu Claude Lanzmann Claude Lanzmann's Collaboration committed Consequently crimes death Deguy deportation directly director documentary European Jews extermination extremely feelings final France French cinema German Ghetto Goodbye Children happened hiding historical footage Holocaust Hotel Terminus images important individual Insdorf insists interpretation interview irony Izieu Jean Jewish Jews Julien Klaus Barbie Korczak Lacombe Lucien Lanzmann Le Chambon Louis Malle Malle Malle's Marcel Ophüls Memory of Justice Mendès-France Michel montage Nazis never newsreel Night and Fog Occupation Paris past persecution Pétain Pierre Sauvage's Pity played political precisely Prédal present propaganda questions reality representation Résistance responsibility reveal Robert Klein role Sauvage scene segment sequence Shoah shot showing shown Sorrow spectator story survivors tell testimonies themes throughout the film totally trial understand Vichy victims violent witnesses