The Holocaust in French FilmScarecrow Press, 1993 - 435 pages This pioneering study analyzes representations of the Holocaust in French cinema from 1940 on. Through the use of such pivotal films as Night and Fog, The Sorrow and the Pity, and Shoah, it examines the difficulties with which French cinema answers three main questions: What happened, who is responsible, and how can we be sure we will never forget? Colombat then provides detailed analyses of the most widely praised French films dealing with the Holocaust (including works by Orphuls, Losey, and Malle). The book also contains film stills, a detailed filmography, bibliography, index, and a lengthy interview with director Pierre Sauvage. |
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Page 190
... segment has particular value in the film for two specific reasons : first , the director deals directly with the history of cinema ; second , as Stanley Hoffman noted , Ophüls , whose father was a Jewish director who had to flee from ...
... segment has particular value in the film for two specific reasons : first , the director deals directly with the history of cinema ; second , as Stanley Hoffman noted , Ophüls , whose father was a Jewish director who had to flee from ...
Page 257
... segment is about Barbie's trial and the trial of Nazi Germany . However , the discussion of the Lyonnais takes us back to the now abandoned theme of living in Lyon during the Occupation . For this reason , this discussion brutally ...
... segment is about Barbie's trial and the trial of Nazi Germany . However , the discussion of the Lyonnais takes us back to the now abandoned theme of living in Lyon during the Occupation . For this reason , this discussion brutally ...
Page 327
... segment . These techniques can be listed as follows : First , this segment is separated from the interview of the SS by a long silence and a slow movement of the camera starting from an image at first difficult to identify . This ...
... segment . These techniques can be listed as follows : First , this segment is separated from the interview of the SS by a long silence and a slow movement of the camera starting from an image at first difficult to identify . This ...
Table des matières
Persecution in the Golden Age of French Cinema | 7 |
Deportation Resistance and Betrayal | 19 |
Nazis Collaborators and the Holocaust | 29 |
Droits d'auteur | |
7 autres sections non affichées
Expressions et termes fréquents
Alain Resnais analysis analyze anti-Semitism audience Auschwitz Barbie's black and white Cahiers du cinéma camera Cayrol Chambon character children of Izieu Claude Lanzmann Claude Lanzmann's Collaboration committed Consequently crimes death Deguy deportation directly director documentary European Jews extermination extremely feelings final France French cinema German Ghetto Goodbye Children happened hiding historical footage Holocaust Hotel Terminus images important individual Insdorf insists interpretation interview irony Izieu Jean Jewish Jews Julien Klaus Barbie Korczak Lacombe Lucien Lanzmann Le Chambon Louis Malle Malle Malle's Marcel Ophüls Memory of Justice Mendès-France Michel montage Nazis never newsreel Night and Fog Occupation Paris past persecution Pétain Pierre Sauvage's Pity played political precisely Prédal present propaganda questions reality representation Résistance responsibility reveal Robert Klein role Sauvage scene segment sequence Shoah shot showing shown Sorrow spectator story survivors tell testimonies themes throughout the film totally trial understand Vichy victims violent witnesses