MaComère, Volume 1Association of Caribbean Women Writers and Scholars, 2001 |
À l'intérieur du livre
Résultats 1-3 sur 14
Page 121
... Haiti's middle class . In " How to Kiss , " the speaker recalls the social ritual in which the children , here endearingly called " kochon marron " [ wild pigs ] , have to kiss their relatives who croon " comment vas - tu / uuuuuuuuuuus ...
... Haiti's middle class . In " How to Kiss , " the speaker recalls the social ritual in which the children , here endearingly called " kochon marron " [ wild pigs ] , have to kiss their relatives who croon " comment vas - tu / uuuuuuuuuuus ...
Page 123
... Haiti of her youth , her images are neither sentimental nor simplistic . Her poem " Waiting Room " juxtaposes images of women in a succession that reveals the multiple forms of relations among daughter , mother and grandmother , while ...
... Haiti of her youth , her images are neither sentimental nor simplistic . Her poem " Waiting Room " juxtaposes images of women in a succession that reveals the multiple forms of relations among daughter , mother and grandmother , while ...
Page 124
... Haiti , she is a child unhappy at leaving behind the house , yard , village and friends she loves , and especially at leaving her Grandmè Ifé and Tante Atie . Upon her arrival in New York , she finds that she has been transformed by the ...
... Haiti , she is a child unhappy at leaving behind the house , yard , village and friends she loves , and especially at leaving her Grandmè Ifé and Tante Atie . Upon her arrival in New York , she finds that she has been transformed by the ...
Table des matières
Women of Colour at the Barricades | 8 |
Creative Works | 17 |
Marcia Douglas | 23 |
Droits d'auteur | |
11 autres sections non affichées
Autres éditions - Tout afficher
Expressions et termes fréquents
African Afro-Brazilian Afro-Caribbean alienation Avey Avey's become Beryl Gilroy black women Brazil Brazilian British candomblé Capécia Caribbean literature Caribbean Women Writers Carole Boyce Davies Chancy Cixous colonial Condé creative cultural dance daughter desire diaspora discourse Dwayne Dwayne's Elaine Savory Ella's English essay ex/isle exile eyes Fanon father female feminine Filomena Gatha gender Gilroy's girl grandmother Guyana Guyanese había Haiti Haitian Haitian American Hérémakhonon identity immigrants Jean Rhys Julia Kumbla Laetitia language Lili linguistic literary live London male Maroon marronnage Maryse Condé Mayotte memory Mirtelina Miss Gatha mother narrative novel oppression Paul/Lili poem poet poetry political postcolonial racial racism red bean cakes resistance Rhys Rhys's Robertito São Paulo Selina sexual Shinebourne silence slave society song space speak spirit story symbol Télumée Tituba tongue Veronica voice West Indian white creole Wide Sargasso Sea woman words writing