Assaph: Studies in the theatre. Section C, Numéros 5 à 8

action actor aesthetic analysis appear Arab Aristotle artistic aspects Assaph audience Aviv University basic become body Brecht Cameri Theatre character communication context created critical cultural dance developed dialogue directed drama dramatic text dream elements event example expression expressionist fact fictional world Freud function Galileo genre Haifa Municipal Theatre Haifa Theatre Hamlet hand gestures Hebrew human ibid iconic interpretation Israel Israeli theatre Jewish jōruri King Lear kneeling land language Lear literary meaning metaphor mise en scène modern Molière movement nature object Oedipus opsis original Otto Otto Weininger Paris particular plate play playwright Poetics possible present production psychoanalysis reality referent relation relationship representation riddle ritual role scene semiotic sense signs situation Sobol social space spectator speech act stage story storytelling structure symbolic Tassili Tel Aviv University teller textual Théâtre theatrical theory tradition tragedy tragic verbal visual words Yehoshua Sobol