Assaph: Studies in the theatre. Section C, Numéros 5 à 8Faculty of Visual and Performing Arts, Tel-Aviv University, 1989 |
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Studies in the theatre. Section C. Otto Berger Otto Otto Double Otto Double Otto Double Otto Double Otto Double Otto Double Qualifying , making fun , contradicting or emphatic ? What do you want from me ?! He said " Interesting " twice ...
Studies in the theatre. Section C. Otto Berger Otto Otto Double Otto Double Otto Double Otto Double Otto Double Otto Double Qualifying , making fun , contradicting or emphatic ? What do you want from me ?! He said " Interesting " twice ...
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Studies in the theatre. Section C. Otto Double Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Theologico - Scientific Symposium " , Paris 2880 ... all about you , Otto ! Not a single ...
Studies in the theatre. Section C. Otto Double Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Theologico - Scientific Symposium " , Paris 2880 ... all about you , Otto ! Not a single ...
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Studies in the theatre. Section C. Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto We've always revered him , all his children . How old is he ? Forty - seven . Two years ...
Studies in the theatre. Section C. Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto Freud Otto We've always revered him , all his children . How old is he ? Forty - seven . Two years ...
Table des matières
Storytelling as Performance | |
The Yemenite | |
Semiotics of Theatre | |
Droits d'auteur | |
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action actor aesthetic analysis appear Arab Aristotle artistic aspects Assaph audience Aviv University basic become body Brecht Cameri Theatre character communication context created critical cultural dance developed dialogue directed drama dramatic text dream elements event example expression expressionist fact fictional world Freud function Galileo genre Haifa Municipal Theatre Haifa Theatre Hamlet hand gestures Hebrew human ibid iconic interpretation Israel Israeli theatre Jewish jōruri King Lear kneeling land language Lear literary meaning metaphor mise en scène modern Molière movement nature object Oedipus opsis original Otto Otto Weininger Paris particular plate play playwright Poetics possible present production psychoanalysis reality referent relation relationship representation riddle ritual role scene semiotic sense signs situation Sobol social space spectator speech act stage story storytelling structure symbolic Tassili Tel Aviv University teller textual Théâtre theatrical theory tradition tragedy tragic verbal visual words Yehoshua Sobol