Assaph: Studies in the theatre, Numéros 9 à 10Faculty of Visual and Performing Arts, Tel-Aviv University, 1993 |
À l'intérieur du livre
Résultats 1-3 sur 40
Page 8
... important ramifications for offstage space as well . Our emotional and intellectual understanding of a stage ... important for our concerns here . The being of a theatrical character is also necessary to the existence of a space . What ...
... important ramifications for offstage space as well . Our emotional and intellectual understanding of a stage ... important for our concerns here . The being of a theatrical character is also necessary to the existence of a space . What ...
Page 132
... important sector of Israeli society . Most are an expression of their creators ' wish to establish an influential viewpoint , and sometimes they succeed in doing so . The influence of these plays is more important than is generally ...
... important sector of Israeli society . Most are an expression of their creators ' wish to establish an influential viewpoint , and sometimes they succeed in doing so . The influence of these plays is more important than is generally ...
Page 133
Studies in the theatre. among an important social sector in Israel . Moreover , Israeli theatre is perceived by its audience as an ' elevated ' social activity , whose contents are important and which is presented in specific locations ...
Studies in the theatre. among an important social sector in Israel . Moreover , Israeli theatre is perceived by its audience as an ' elevated ' social activity , whose contents are important and which is presented in specific locations ...
Table des matières
The Mask in Ritual and Theatre | 1 |
CLARA BRAKEL 19 Masked Dances Spirit Worship and | 19 |
ZVIKA SERPER 29 Mask and Face in the No Theatre | 44 |
Droits d'auteur | |
10 autres sections non affichées
Autres éditions - Tout afficher
Expressions et termes fréquents
action actors Akko appear Arab Araminta Aristophanes artistic aspects Assaph audience Aviv University body characters comedy conventions costume created cricotage cultural dancers demonic depicted dramatic dressed Elizabeth enacted Estragon example expression exterior face Falstaff fictional world figure function Glass Menagerie Greek Haifa Municipal Theatre historical Holocaust horns human ibid iconic Igbo interior Ionesco Israeli theatre Jan Fabre Javanese Jewish Kantor kyōgen living London Machine of Love marionettes masked dances meaning movement objects offstage Okina outfocused Paris particular perception performance analysis Philip Pina Bausch play playwright political portrait present production Queen reality realm reference relationship religious representation represented ritual role satire scene scenic secular semiotic social spatial spectators stage hands structure symbolic Tartuffe Tel Aviv University Tennessee Williams theatrical space traditional transformed ultra-orthodox University Press verbal description visual Williams's Yehoshua Sobol