Eugene Onegin: A Novel in Verse, Volume 1 |
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Page 30
XXV – XXVII : Tatiana ' s pensive childhood is described . ( Note the enjambment
from XXVI to XXVII , a technique felt by Pushkin to be characteristic of the new ,
and thus “ romantic , ” approach . Additional , even more striking , interstrophic ...
XXV – XXVII : Tatiana ' s pensive childhood is described . ( Note the enjambment
from XXVI to XXVII , a technique felt by Pushkin to be characteristic of the new ,
and thus “ romantic , ” approach . Additional , even more striking , interstrophic ...
Page 49
This establishes two important structural points : ( 1 ) that Onegin has already left
, and ( 2 ) that the spring described in these stanzas is the spring of 1821 ,
following the duel . We also note that Pushkin ' s Muse , whom the reader ...
This establishes two important structural points : ( 1 ) that Onegin has already left
, and ( 2 ) that the spring described in these stanzas is the spring of 1821 ,
following the duel . We also note that Pushkin ' s Muse , whom the reader ...
Page 84
Some of Pushkin ' s autographs are described by L . B . Modzalevski and
Tomashevski in Rukopisi Pushkina ... but otherwise considerable ingenuity has
to be exercised in tracking down references to the location of MSS and their
description .
Some of Pushkin ' s autographs are described by L . B . Modzalevski and
Tomashevski in Rukopisi Pushkina ... but otherwise considerable ingenuity has
to be exercised in tracking down references to the location of MSS and their
description .
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LibraryThing Review
Avis d'utilisateur - amydross - LibraryThingI've read another translation before in proper verse, and while I understand that the story's not the same without the rhymes, Nabokov's rendering is, I think, as close to perfection as I will come until I can read the original. Consulter l'avis complet
Table des matières
INDEX | 3 |
THE EUGENE ONEGIN STANZA | 9 |
THE STRUCTURE OF EUGENE ONEGIN | 15 |
Droits d'auteur | |
13 autres sections non affichées
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Expressions et termes fréquents
already arrival ball beginning brought canto Chapter charming close comes complete conversation copy course dear death described digression drafts dream duel edition Eight Eugene eyes fair fashionable fate final Five Four French friends given half hand heart hero husband January Journey kind known ladies Larin later leads leaves Lenski letter lines live looks matter mentioned Mihaylovskoe mind morning Moscow motto natural never night novel numbered nurse Odessa Olga Onegin opens passage passion Petersburg poem poet present printing professional Public published Pushkin reader ready reference rhetorical rhymes Russian Seven sleep soul stanzas structural Tatiana theme thought Three tion transition translation turn verse voice Vyazemski winter write XLII XXXII young youth