Eugene Onegin: A Novel in Verse, Volume 1 |
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Page 18
Roughly , there are two main types of transition , the narrational , or natural , and
the authorial , or rhetorical . No rigid distinction is possible . The extreme type of
rhetorical is the abrupt apostrophization by the author , and the most natural ...
Roughly , there are two main types of transition , the narrational , or natural , and
the authorial , or rhetorical . No rigid distinction is possible . The extreme type of
rhetorical is the abrupt apostrophization by the author , and the most natural ...
Page 49
The time element dominates this chapter rather obsessively , with rhetorical
transitions depending on the establishment of this or that season or hour or of the
passage of time . Development of Themes in Seven I – III : The canto opens with
a ...
The time element dominates this chapter rather obsessively , with rhetorical
transitions depending on the establishment of this or that season or hour or of the
passage of time . Development of Themes in Seven I – III : The canto opens with
a ...
Page 55
The rhetorical formula here is " let me take him up again ” ( XII : 8 ) , following a
professional remark about Pushkin ' s own Demon , a short poem treating of the
spirit of cynicism and negation . These two stanzas inform us of Onegin ' s life ...
The rhetorical formula here is " let me take him up again ” ( XII : 8 ) , following a
professional remark about Pushkin ' s own Demon , a short poem treating of the
spirit of cynicism and negation . These two stanzas inform us of Onegin ' s life ...
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LibraryThing Review
Avis d'utilisateur - amydross - LibraryThingI've read another translation before in proper verse, and while I understand that the story's not the same without the rhymes, Nabokov's rendering is, I think, as close to perfection as I will come until I can read the original. Consulter l'avis complet
Table des matières
INDEX | 3 |
THE EUGENE ONEGIN STANZA | 9 |
THE STRUCTURE OF EUGENE ONEGIN | 15 |
Droits d'auteur | |
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Expressions et termes fréquents
already arrival ball beginning brought canto Chapter charming close comes complete conversation copy course dear death described digression drafts dream duel edition Eight Eugene eyes fair fashionable fate final Five Four French friends given half hand heart hero husband January Journey kind known ladies Larin later leads leaves Lenski letter lines live looks matter mentioned Mihaylovskoe mind morning Moscow motto natural never night novel numbered nurse Odessa Olga Onegin opens passage passion Petersburg poem poet present printing professional Public published Pushkin reader ready reference rhetorical rhymes Russian Seven sleep soul stanzas structural Tatiana theme thought Three tion transition translation turn verse voice Vyazemski winter write XLII XXXII young youth