Understanding Global News: A Critical IntroductionSAGE, 23 janv. 1998 - 239 pages Understanding Global News provides a lively and critical introduction to the news media. Written specifically for media students and training journalists, this book invites the reader to explore contemporary journalistic practice, as well as the assumption that the media provide a mere window on the world. Challenging the often unquestioned notions of media objectivity, the author turns the classic questionsùWho, Why, What, When, and Whereùonto the news media themselves. By employing a range of theoretical perspectives and a large variety of examples, the author demonstrates the way in which our perceptions of the world are constructed by the news media. Understanding Global News will be an essential text for all students of journalism and media studies. |
Table des matières
WHICH ARE THE WORLDS MOST INFLUENTIAL | 41 |
WHO ARE JOURNALISTS AND HOW DO THEY | 65 |
WHO GETS TO SPEAK IN THE WORLD NEWS? | 85 |
WHEN DOES SOMETHING BECOME WORLD NEWS? | 109 |
WHERE DOES WORLD NEWS COME FROM? | 127 |
HOW ARE MESSAGES FORMULATED? | 144 |
HOW DO IMAGES COME ABOUT? | 166 |
WHAT EFFECTS DO THE MEDIA HAVE? | 190 |
US WE AND THEM | 206 |
STUDYING GLOBAL MEDIA | 216 |
| 235 | |
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advertising Africa agencies American and/or audiences broadcasting camera cent centre Chapter claims colour communication construction continually correspondents countries coverage cultural developed discourse dominant dozen drug economic editors élite ethnic ethnocentrism Eurocentric European everyday example fact film foreign frame French Ginneken global groups identified ideological images individual instance intercultural International Herald Tribune journalism journalists labels language Latin America leaders limited number look magazines major Western mass media media markets media organizations million moral panic news-gathering newspapers Newspeak Nicaragua nuclear O. J. Simpson objective official pack journalism particularly perspective picture political President problems produced professional pseudo-events quoted reality reported role selective articulation sense Singapore social society sources stereotypes stories television tend things Third World tion transcontinental media usually values various Washington Post Western media whereas world-view