The Cinema of Gosho Heinosuke: Laughter Through Tears

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Indiana University Press, 2005 - 331 pages

"The elegant, graceful, and deeply humanistic cinema of Gosho Heinosuke has found its perfect English-language explication in this equally elegant, graceful, and humanistic study by Arthur Nolletti. A director of wide-ranging interests, Gosho was at his strongest in stories of ordinary Japanese life. Like Mizoguchi he had a particular strength and sensitivity to women's issues; like Ozu he was a delicate yet piercing commentator on middle-class life. But he had a voice and style of his own, and Nolletti is careful to define and describe this sensibility in telling detail." --David Desser

Through close readings of the most significant films of Gosho Heinosuke and descriptions of their historical, social, and industrial contexts, Arthur Nolletti illuminates the work of this important director. The careful attention Gosho gave to even the smallest gestures and nuances of character and emotion is matched by the breadth of Nolletti's research and the depth of his understanding. His analysis illustrates the important influence of Gosho's unique style and sensibility on cinematic form in Japan and beyond.

 

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Table des matières

Introduction i
7
Gosho and Shomin Comedy in the 1930s
13
Dancing Girl oflzu 1933 and the Junbungaku Movement
43
Blending the Shomingeki Shitamachi
63
Once More 1947 and Goshos Romanticism in
83
A New Kind of Shomingeki
107
Money Democracy
131
Adapting the Meijimono Reconfiguring
156
New Challenges and the Quest to Create
182
Changing Times Undiminished Mastery
212
THREE FILMS
245
NOTES
255
GOSHO HEINOSUKE
283
Droits d'auteur

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À propos de l'auteur (2005)

Arthur Nolletti, Jr. is Professor of English at Framingham State College. He is editor of The Films of Fred Zinnemann, co-editor of Reframing Japanese Cinema (Indiana University Press, 1992), and author of numerous articles on film.

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