Fallen Soldiers: Reshaping the Memory of the World WarsOxford University Press, 12 déc. 1991 - 272 pages At the outbreak of the First World War, an entire generation of young men charged into battle for what they believed was a glorious cause. Over the next four years, that cause claimed the lives of some 13 million soldiers--more than twice the number killed in all the major wars from 1790 to 1914. But despite this devastating toll, the memory of the war was not, predominantly, of the grim reality of its trench warfare and battlefield carnage. What was most remembered by the war's participants was its sacredness and the martyrdom of those who had died for the greater glory of the fatherland. War, and the sanctification of it, is the subject of this pioneering work by well-known European historian George L. Mosse. Fallen Soldiers offers a profound analysis of what he calls the Myth of the War Experience--a vision of war that masks its horror, consecrates its memory, and ultimately justifies its purpose. Beginning with the Napoleonic wars, Mosse traces the origins of this myth and its symbols, and examines the role of war volunteers in creating and perpetuating it. But it was not until World War I, when Europeans confronted mass death on an unprecedented scale, that the myth gained its widest currency. Indeed, as Mosse makes clear, the need to find a higher meaning in the war became a national obsession. Focusing on Germany, with examples from England, France, and Italy, Mosse demonstrates how these nations--through memorials, monuments, and military cemeteries honoring the dead as martyrs--glorified the war and fostered a popular acceptance of it. He shows how the war was further promoted through a process of trivialization in which war toys and souvenirs, as well as postcards like those picturing the Easter Bunny on the Western Front, softened the war's image in the public mind. The Great War ended in 1918, but the Myth of the War Experience continued, achieving its most ruthless political effect in Germany in the interwar years. There the glorified notion of war played into the militant politics of the Nazi party, fueling the belligerent nationalism that led to World War II. But that cataclysm would ultimately shatter the myth, and in exploring the postwar years, Mosse reveals the extent to which the view of death in war, and war in general, was finally changed. In so doing, he completes what is likely to become one of the classic studies of modern war and the complex, often disturbing nature of human perception and memory. |
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... nation. The only thorough study of the diaries and letters of soldiers who had fought in the front lines and then came home is that of Bill Gammage, who concludes that while some veterans wanted to forget the war years as quickly as ...
... nation. The only thorough study of the diaries and letters of soldiers who had fought in the front lines and then came home is that of Bill Gammage, who concludes that while some veterans wanted to forget the war years as quickly as ...
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... nation in whose name the war had been fought. The reality of the war experience came to be transformed into what one might call the Myth of the War Experience, which looked back upon the war as a meaningful and even sacred event. This ...
... nation in whose name the war had been fought. The reality of the war experience came to be transformed into what one might call the Myth of the War Experience, which looked back upon the war as a meaningful and even sacred event. This ...
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... nation. Those who fell in these wars were comrades in arms, the sons or brothers of someone one could have known; it was necessary. 2. War kitsch. “Hindenburgitis, or the Prussian House Beautiful.” (From Mr. Punch's History of the Great ...
... nation. Those who fell in these wars were comrades in arms, the sons or brothers of someone one could have known; it was necessary. 2. War kitsch. “Hindenburgitis, or the Prussian House Beautiful.” (From Mr. Punch's History of the Great ...
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... nation to nation, not so much during the First World War as after it. Much depended upon victory or defeat, upon the transition from war to peace, and upon the dynamic and strength of the nationalist Right. Germany proved most ...
... nation to nation, not so much during the First World War as after it. Much depended upon victory or defeat, upon the transition from war to peace, and upon the dynamic and strength of the nationalist Right. Germany proved most ...
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... nation. Most of the first wave of volunteers to enlist were highly motivated citizens of bourgeois background. The actual number of volunteers is not easy to come by, for the term was at times vaguely used and confused with conscripts ...
... nation. Most of the first wave of volunteers to enlist were highly motivated citizens of bourgeois background. The actual number of volunteers is not easy to come by, for the term was at times vaguely used and confused with conscripts ...
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Adolf Hitler appeared army associated attempted battle battlefield became become Berlin brutalization buried called camaraderie century Christian closely confrontation continued Corps created crosses cult dead death defeat dominated earlier enemy England English enthusiasm Ernst von Salomon example existed Experience fallen fighting films force fought France Free French front German graves heroes honor ideal important individual Italy joined lives manliness mass means memorials military cemeteries monuments mountain movement Munich Myth names nation nature Nazis never officers once organizations Paris patriotic peace picture played political popular postcards postwar present reality remained Republic Right role sacred Second World seemed served showed social society soldiers symbols themes thought tion tomb took traditional trivialization Unknown veterans victory volunteers War Experience Wars of Liberation wartime wrote young youth