 English artists are the most engaged, a variety, a fancy, and a dignity derived from the higher branches, which even those who professed them in a superior manner did not always preserve when they delineated individual nature. His portraits remind the...  Sotheran's Price Current of Literature - Page 231918Affichage du livre entier - À propos de ce livre
 | 1799 - 796 pages
...communicated to that defcriplion of the ari in which Englifh artife are the moft engaged, a variety, a fancy, and a dignity derived from the higher branches, which even thofe who profeflud them in a fuperior manner did not always preierve when they delineated individual... | |
 | 1792 - 530 pages
...communicated to that defcription of the art, in which Englifli artifts are the moft engaged, a variety, a fancy, and a dignity, derived from the higher branches, which even thofe who profefled them in a fuperior manner, did not always prefcrve, when they deli•neated individual... | |
 | William Seward - 1795 - 684 pages
...communicated to " that defcription of the art in which EngliSi ** artifls are the moft engaged, a variety, a fancy, " and a dignity derived from the higher branches, " which even thofe who profefled them in a fupe•* lior manner did not always preferve when " they delineated individual... | |
 | William Seward - 1796 - 430 pages
...communicated to *c that defcription of the art in which Englifli " artifts are the moft engaged, a variety, a fancy, ** and a dignity derived from the higher branches, ** which even thofe who profefled them in a fupe" rior manner did not always preferve when ** they delineated individual... | |
 | 1798 - 756 pages
...communicated to that defcription of the art, in which EriMilh urtilts are the roott engaged, a variety, a fancy, and a dignity derived from the higher branches, which even thofe who profcffed them in aiu per ¡or manner, did not always preferve, when they delineated individual... | |
 | 1798 - 752 pages
...communicated to that defcription of the art, in which Englrih artifts are the rrioft engaged, a variety, a fancy, and a dignity derived from the higher branches, which even thoie who profefled them in a fuperior manner, did not always prefervc, when they delineated individual... | |
 | Charles M'Cormick - 1798 - 402 pages
...communicated to that defcription of the art, in which Englifh artifts are the mofl engaged, a variety, a fancy, and a dignity derived from the higher branches, which even thofe who profefled them in a fuperior manner did not always preferve, when they delineated individual... | |
 | William Seward - 1798 - 536 pages
...communicated to that defcrip" tion of the art in which Englifh artifts are " the moft engaged, a variety, a fancy, and " a dignity derived from the higher branches, " which even thofe who profeffed them in " a fuperior manner did not always preferve ** when they delineated individual... | |
 | 1799 - 770 pages
...communicated to that deicription of UK art in which Englifh artiib are the moft engaged, a variety, a fancy, and a dignity derived from the higher branches, which even thofe who profcflcd them in a fuperior manner did not always preierve when they delineated individual... | |
 | Robert Bisset - 1800 - 490 pages
...communicated to that description of the art, in which English artists are the most engaged, a variety, a fancy, and a dignity, derived from the higher branches, which even those, who proC ssi 3 fcssed them in a superior manner, did not always preserve, when they delineated individual... | |
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