German Television: Historical and Theoretical Perspectives

Couverture
Larson Powell, Robert Shandley
Berghahn Books, 1 août 2016 - 242 pages

Long overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume, the first in English on the subject, provides a much-needed corrective in the form of penetrating essays on the distinctive theories, practices, and social-historical contexts that have defined television in Germany. Encompassing developments from the dawn of the medium through the Cold War and post-reunification, this is an essential introduction to a rich and varied media tradition.

 

Table des matières

Culture Technology or Cultural Technology?
1
Part I Technical Prehistory and Theoretical Approaches
15
Contingencies and Ruptures in the Technological History of Television
17
German Theories of Television
33
Part II GDR Television
51
Television and Its Relationship to Film in the Context of 1950s GDR Development
53
Gottfried Kolditzs Unfilmed Project Zimtpiraten
63
Auteurist TV
85
Kluge TV
110
Part IV Present and Future Perspectives
131
MediaPolitical and MediaEthical Aspects
133
Chapter 8 Germany as TV Show Import Market
155
Nico Hofmanns teamWorx
175
Tatort Germanys Longest Running Police Procedural
193
Bibliography
215
Index
232

Televisual Perspectives on Rainer Werner Fassbinders Martha 1974
87

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À propos de l'auteur (2016)

Larson Powell is Professor of German and Film Studies at the University of Missouri - Kansas City. His publications include the books The Technological Unconscious in Modern German Literature (2008) and a volume on post-1945 electronic media arts, The Differentiation of Modernism (2013).

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