German Television: Historical and Theoretical PerspectivesLarson Powell, Robert Shandley Berghahn Books, 1 août 2016 - 242 pages Long overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume, the first in English on the subject, provides a much-needed corrective in the form of penetrating essays on the distinctive theories, practices, and social-historical contexts that have defined television in Germany. Encompassing developments from the dawn of the medium through the Cold War and post-reunification, this is an essential introduction to a rich and varied media tradition. |
Table des matières
1 | |
15 | |
17 | |
German Theories of Television | 33 |
Part II GDR Television | 51 |
Television and Its Relationship to Film in the Context of 1950s GDR Development | 53 |
Gottfried Kolditzs Unfilmed Project Zimtpiraten | 63 |
Auteurist TV | 85 |
Kluge TV | 110 |
Part IV Present and Future Perspectives | 131 |
MediaPolitical and MediaEthical Aspects | 133 |
Chapter 8 Germany as TV Show Import Market | 155 |
Nico Hofmanns teamWorx | 175 |
Tatort Germanys Longest Running Police Procedural | 193 |
215 | |
232 | |
Autres éditions - Tout afficher
German Television: Historical and Theoretical Perspectives Larson Powell,Robert Shandley Aucun aperçu disponible - 2018 |
German Television: Historical and Theoretical Perspectives Larson Powell,Robert Shandley Aucun aperçu disponible - 2016 |
Expressions et termes fréquents
adaptation aesthetic Alevi Alexander Kluge ARD and ZDF audience Berlin caesura camera channels chapter communication concept construction crisis critique cryptomnesia cultural DEFA depiction detective discussion drama East Eastern Bloc Effi Briest electronic Engell entertainment example experience Fassbinder Fassbinder’s Federal Republic Fernsehen film film’s filmmakers format function GDR television genre German Cinema German television Germany’s global Hagen Heimat Heimat film Helmut heritage Hickethier Hitchcock’s individual Internet Kittler Kluge’s Kolditz Leo Kirch licensing Luhmann Marnie Martha mass media media ethics media politics media theory medium ment narrative networks percent pirate public sphere radio Rainer Werner Fassbinder role screen script shot shows sion social specific stagnation stations story structure studies Tatort Tatort episodes teamWorx technical tele television broadcasts television market television programs television’s tion viewers West German Wolfgang Staudte Woolrich X-Files Zielinski Zimtpiraten