The Cambridge Companion to French MusicSimon Trezise Cambridge University Press, 19 févr. 2015 - 417 pages France has a long and rich music history that has had a far-reaching impact upon music and cultures around the world. This accessible Companion provides a comprehensive introduction to the music of France. With chapters on a range of music genres, internationally renowned authors survey music-making from the early middle ages to the present day. The first part provides a complete chronological history structured around key historical events. The second part considers opera and ballet and their institutions and works, and the third part explores traditional and popular music. In the final part, contributors analyse five themes and topics, including the early church and its institutions, manuscript sources, the musical aesthetics of the Siècle des Lumières, and music at the court during the ancien régime. Illustrated with photographs and music examples, this book will be essential reading for both students and music lovers. |
Table des matières
music under | 3 |
music under the late Capetian | 21 |
The Renaissance 49 | 49 |
Music under Louis XIII and XIV 16101715 69 | 69 |
Music from the Regency to the Revolution 17151789 88 | 88 |
The Revolution and Romanticism to 1848 111 | 111 |
Renaissance and change 1848 to the death of Debussy 133 | 133 |
La guerre et la paix 19141945 159 | 159 |
Traditional music and its ethnomusicological study 245 | 245 |
Popular music 271 | 271 |
Manuscript sources and calligraphy 293 | 293 |
Church and state in the early medieval period 313 | 313 |
Music and the court of the ancien régime 330 | 330 |
Musical aesthetics of the Siècle des Lumières 346 | 346 |
Paris and the regions from the Revolution to the First | 362 |
| 379 | |
Opera and ballet to the death of Gluck 201 | 201 |
Opera and ballet after the Revolution 221 | 221 |
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Expressions et termes fréquents
accessed 22 aesthetic air de cour Anonymous IV ballet became Berlioz Boulez Cambridge Companion Cambridge University Press cantus firmus Carolingian centre chamber music chanson chant chapel Charles church comique composers composition Concert Spirituel Conservatoire court courtly culture dance Debussy Debussy’s early Edited eighteenth century ensemble example Fauré Figure France François Frankish French music Gascony genre Gregorian chant Guillaume Guillaume de Machaut Ibid influence institutions instrumental Italian Jean king king’s late liturgical Lully Lully’s Machaut manuscripts Mass Medieval Music melody Messiaen motet movement Music Online musicale musicians musicologie musique française Nationale nineteenth century notation opera opéra-ballet Opéra-Comique orchestra Oxford Paris Parisian performed period piano Pierre plainchant played political polyphony popular music premiere quartets Rameau Ravel regional Renaissance repertoire Rome Rousseau royal sacred music Saint-Saëns secular siècle singers Société solo Sonata songs style symphonies Théâtre tradition tragédie en musique trans trouvère violin virtuoso vocal voice