The Palaeotypography of the French Renaissance: Selected Papers on Sixteenth-century Typefaces, Volume 1This collection of thirteen essays examines sixteenth-century type design in France. Typefaces developed during this period were to influence decisively the typography of the centuries which followed, and they continue to influence a great many contemporary typefaces. The papers' common goal is to establish the paternity of the typefaces described and critically to appraise their attributions, many of which have previously been inadequately ascribed. Such an approach will be of interest to type historians and type designers seeking better-documented attributions, and to historians, philologists, and bibliographers, whose study of historical imprints will benefit from more accurate type descriptions. The papers and illustrations focus on the most important letter-cutters of the French Renaissance, including Simon de Colines, Robert Estienne, Claude Garamont, Robert Granjon, Pierre Haultin, and also include a number of minor masters of the period. |
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Table des matières
Introduction | 1 |
Early SixteenthCentury Parisian Roman Types | 9 |
Simon de Colines Punchcutter 15181546 | 63 |
The Printing Types of the Young Robert I Estienne 15261530 | 97 |
Robert Estiennes Printing Types | 105 |
Roman Type Design in SixteenthCentury France | 149 |
Roman Types Made in Paris in the 1530s | 161 |
Roman Types by Robert Granjon | 215 |
Table of Contents volume II | 286 |
Early Paris Italics 15121549 | 287 |
The Italics of Robert Granjon | 321 |
The Predecessors of the Grecs du Roy | 365 |
The Grecs du Roy and Their Successors | 383 |
An Inquiry into the Later Work of Robert Granjon 15781590 | 427 |
List of Typefaces Cited or Discussed | 475 |
References | 483 |
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Expressions et termes fréquents
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