Aristotle and Bharata: A Comparative Study of Their Theories of DramaVishveshvaranand Vedic Research Institute, local, 1977 - 226 pages Comparative study of Greek and Sanskrit aesthetics ; includes prinicples of literary criticism as enunciated in Poetics by Aristotle and Nāṭyaśāstra by Bharata Muni. |
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Page 65
... chorus on the mind of man is to awaken the emotion of vairagya or nirveda which like all other emo- tions remains dormant until it finds its vibhavas . Commenting on these lines of the chorus , C. M. Bowra , observes : " In Oedipus the ...
... chorus on the mind of man is to awaken the emotion of vairagya or nirveda which like all other emo- tions remains dormant until it finds its vibhavas . Commenting on these lines of the chorus , C. M. Bowra , observes : " In Oedipus the ...
Page 86
... chorus and a single masked actor . By adding a second actor who could impersonate several characters , by extending the action of the play , deepening characterization and intensifying the dramatic function of the chorus , Aeschylus ...
... chorus and a single masked actor . By adding a second actor who could impersonate several characters , by extending the action of the play , deepening characterization and intensifying the dramatic function of the chorus , Aeschylus ...
Page 102
... chorus in sole possession to sing their stasimon , dividing one episode from the next.1 The Exode is the final scene , after the iast Stasimon . The Chorus , as explained earlier , consists of two distinct parts ( 1 ) the Parode , the ...
... chorus in sole possession to sing their stasimon , dividing one episode from the next.1 The Exode is the final scene , after the iast Stasimon . The Chorus , as explained earlier , consists of two distinct parts ( 1 ) the Parode , the ...
Table des matières
The Date of the Natyaśāstra | 17 |
The Mythological Origin of the Natyasastra | 25 |
ARISTOTLES THEORY OF CATHARSIS | 49 |
Droits d'auteur | |
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Autres éditions - Tout afficher
Aristotle and Bharata: A Comparative Study of Their Theories of Drama R. L. Singal Affichage d'extraits - 1977 |
Expressions et termes fréquents
according action actors Aeschylus aesthetic appears Aristotle Aristotle's attainment beauty becomes beginning Bharata called century chapter characters Chorus clear complete connected criticism dance definition detail Diction discussion dramatist earlier effect element emotions Episode essential example experience explains expression fact fear feeling five four given gives gods Greek Tragedy hand happiness heart hero human Ibid imagination imitation importance incidents Indian instance instruction kinds King language later Literature London means mentions mind nature Natyasastra object observes original pain performance person pity play playwrights pleasure plot poet Poetics poetry present produce qualities rasa reference rules Sanskrit Drama says sense sentiment similar song soul Spectacle spectators speech stage statement style suggests theatre theory thing tion tradition tragic Translation types unity University various verse whereas whole words