The Cinema of FrancePhil Powrie Wallflower, 2006 - 283 pages An in-depth look at some of the best and most influential French films of all time, The Cinema of France contains 24 essays, each on an individual film. The book features works from the silent period and poetic realism, through the stylistic developments of the New Wave, and up to more contemporary challenging films, from directors such as Abel Gance, Jean Renoir, Marcel Carné, François Truffaut, Jean-Luc Godard, Alain Resnais, Agnès Varda and Luc Besson. Set in chronological order, The Cinema of France provides an illuminating history of this essential national cinema and includes in-depth studies of films such as Un Chien Andalou (1929), Les Vacances de Monsieur Hulot (1953), Le Samouraï (1967), Shoah (1985), Jean de Florette (1986), Les Visiteurs (1993) and La Haine (1995). |
Table des matières
INTRODUCTION Phil Powrie | 1 |
NAPOLÉON Maureen Turim | 18 |
UN CHIEN ANDALOU AN ANDALUSIAN DOG Ramona Fotiade | 21 |
Droits d'auteur | |
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Abel Gance actors Alain Alexandre Antoine audience banlieue Beineix bout de souffle Buñuel Cahiers du cinéma camera Carax Carné characters chien andalou cinéma du look Claude Cléo Cléo's close-up comedy couffin Crime de Monsieur critics cultural dernière à Marienbad director Diva diva's documentary Editing Enfants du Paradis Eustache film's filmmaking France François Truffaut French cinema French film genre Haine Jacques Jacques Tati Jean de Florette Jean Renoir Jean-Luc Godard Jean-Pierre Jules Kassovitz L'Année dernière La Reine Margot Lanzmann Le Samouraï Les Valseuses Maman Melville Melville's Michel Monsieur Hulot Monsieur Lange Napoleon narrative neige à Noël Nikita Paris Pierre play police political popular production putain realism Règle du jeu Reine Margot Resnais Rififi role Samouraï scene screen Screenplay sequence Serreau Shoah shot social spectator star story suggests Tati Trois hommes Ugolin Un chien andalou Vacances de Monsieur Valseuses Varda Vinz violence Visiteurs visual Wave woman women