The Blood of Kings: Dynasty and Ritual in Maya Art
Kimbell Art Museum, 1986 - 335 pages
An illustrated study of the Maya civilization, drawing from interpretations of the texts embedded in pictorial scenes or carved on stone tablets to provide the meaning of the art and architecture of the ancient culture.
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This approach to narrative programming was attempted first by the artist called
the Cookie Cutter Master during Shield Jaguar's reign, then repeated thirty years
later, in the reign of his son, Bird Jaguar.5 The sequence of lintels featuring
Shield Jaguar, already dressed in cotton armor, carries a short stabbing knife (Fig
. V.2). Lady Xoc stands silently beside him with blood still oozing from her
wounded mouth. In her hands she holds her husband's jaguar helmet and
V.5b), which projects outward, commemorates an exchange of "holey banners,"
staffs wrapped with cloth that has flapped cutouts, between Bird Jaguar on the
right and Shield Jaguar on the left. This event occurred some time prior to Bird ...
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Though Maya script, symbolism, and mythology are not yet fully understood, research from the last 25 years is showing that the Maya, once seen as "simple'' peaceful people, are now thought to have ... Consulter l'avis complet
Foreword Emily Sano ix
Kingship and the Rites of Accession
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