The Blood of Kings: Dynasty and Ritual in Maya Art
Kimbell Art Museum, 1986 - 335 pages
An illustrated study of the Maya civilization, drawing from interpretations of the texts embedded in pictorial scenes or carved on stone tablets to provide the meaning of the art and architecture of the ancient culture.
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The huipil was made from long strips of cloth woven on a backstrap loom. The
cloth was sewn together along the outer edges, with openings left for the arms; a
slit for the head was left open during the weaving process. As among modern ...
Made of leather or cloth, these bands were often mounted with ornate carved
jade plaques (PI. 8). Kings wore an image of the Jester God on these headbands
as the symbol of their rank and office (Fig. I.3b). Cloth, often richly decorated, was
The triple and double cloth knots tied around the forehead of the Perforator God
became the most pervasive symbol of the bloodletting rite. The Maya wore cloth
strips and knotted bows on their arms and legs, through pierced earlobes, in the ...
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Though Maya script, symbolism, and mythology are not yet fully understood, research from the last 25 years is showing that the Maya, once seen as "simple'' peaceful people, are now thought to have ... Consulter l'avis complet
Foreword Emily Sano ix
Kingship and the Rites of Accession
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