 | David Hume - 1826 - 508 pages
...power of the soul, which remains unalterably i"i^!™)uiiyf *-he same, perhaps for one moment. The mind is a kind of theatre, where several perceptions successively...simplicity in it at one time, nor identity in different, whatever natural propension we may have to imagine that simplicity and identity. The comparison of... | |
 | David Hume - 1854 - 468 pages
...any single power of the soul, which remains unalterably the same, perhaps for one moment. The mind is a kind of theatre, where several perceptions successively...pass, repass, glide away, and mingle in an infinite varicty of postures and situations. There is properly no simplicity in it at one time, nor identity... | |
 | Dugald Stewart - 1858 - 548 pages
...each other with an inconceivable rapidity, and are in a perpetual flux and movement. . . . The mind is a kind of theatre, where several perceptions successively...appearance ; pass, repass, glide away, and mingle iu an infinite variety of postures and situations. There is properly no simplicity in it at one time,... | |
 | Victor Cousin - 1855 - 650 pages
...The mind is a kind of theater, where several perceptions successively make their appearance, pass and repass, glide away and mingle in an infinite variety of postures and situations The comparison of the theater must not mislead us. They are the successive perceptions only that constitute... | |
 | Charles Beard - 1865 - 736 pages
...lying behind phenomena, either sensible or mental. " The mind is a kind of theatre," says Mr. Hume, " where several perceptions successively make their...simplicity in it at one time, nor identity in different; whatever natural propension we may have to imagine that simplicity and' identity. The comparison of... | |
 | 1865 - 728 pages
...lying behind phenomena, either sensible or mental. " The mind is a kind of theatre," says Mr. Hume, " where several perceptions successively make their...simplicity in it at one time, nor identity in different ; whatever natural propension we may have to imagine that simplicity and identity. The comparison of... | |
 | William Jackson - 1874 - 436 pages
...at any time without a perception, and never can observe anything but the perception. . . . The mind is a kind of theatre, where several perceptions successively...simplicity in it at one time, nor identity in different ; whatever natural propension we may have to imagine that simplicity and identity. The comparison of... | |
 | William Jackson - 1874 - 432 pages
...at any time without a perception, and never can observe anything but the perception. . . . The mind is a kind of theatre, where several perceptions successively...simplicity in it at one time, nor identity in different ; whatever natural propension we may have to imagine that simplicity and identity. The comparison of... | |
 | David Hume - 1874 - 604 pages
...contradiction in terms. There can be ' properly no simplicity in it at one time, nor identity at different ; it is a kind of theatre where •» several perceptions successively make their appearance.' But this comparison must not mislead us. ' They are the successive perceptions only, that constitute... | |
 | David Hume - 1874 - 604 pages
...contradiction in terms. There can be ' properly no simplicity in it at one time, nor identity at different ; it is a kind of theatre where several perceptions successively make their appearance.' But this comparison must not mislead us. ' They are the successive perceptions only, that constitute... | |
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... -The mind is a kind of theatre, where several perceptions successively make their appearance; pass, re-pass, glide away, and mingle in an infinite variety of postures and situations. 
