The Great War on the Small Screen: Representing the First World War in Contemporary Britain

Couverture
Edinburgh University Press, 20 oct. 2009 - 200 pages
In Britain since the 1960s television has been the most influential medium of popular culture. Television is also the site where the Western Front of popular culture clashes with the Western Front of history.This book examines the ways in which those involved in the production of historical documentaries for this most influential media have struggled to communicate the stories of the First World War to British audiences. Documents in the BBC Written Archives Centre at Caversham, Berkshire, the Imperial War Museum, and the Liddell Hart Centre for Military Archives all inform the analysis. Interviews and correspondence with television producers, scriptwriters and production crew, as well as two First World War veterans who appeared in several recent documentaries provide new insights for the reader.Emma Hanna takes the reader behind the scenes of the making of the most influential documentaries from the landmark epic series The Great War (BBC, 1964) up to more recent controversial productions such as The Trench (BBC, 2002) and Not Forgotten: The Men Who Wouldn't Fight (BBC, 2008). By examining the production, broadcast and reception of a number of British television documentaries this book examines the difficult relationship between the war's history and its popular memory.
 

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Table des matières

Introduction
1
Britain and the First World War
7
The Great War BBC 1964
32
Veterans and the Nature of Personal Testimony
63
4 Heroes and Villains
89
5 Drama Comedy and Drama Documentary
116
Reality Experiential Television
143
7 The Fear of Forgetting
163
Filmography in chronological order
173
Bibliography
175
Index
180
Droits d'auteur

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À propos de l'auteur (2009)


Emma Hanna is Lecturer in History at the University of Greenwich, London.

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