Life with PicassoAnchor Books/Doubleday, 1989 - 373 pages Francoise Gilot met Picasso during the German occupation of Paris, she was twenty-one, he was sixty-two. For nearly a decade, Gilot shared her life with this giant of the art world, giving birth to two of his children, working as his model, and sharing his world. This uniquely candid and vivid memoir takes readers behind the Piccasso legend to meet the man. |
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Page 74
... objects were the main point of my painting , I would choose them with great care . For example , in a painting by Matisse the object plays a major role . It isn't any old object that is chosen to receive the honor of becoming an object ...
... objects were the main point of my painting , I would choose them with great care . For example , in a painting by Matisse the object plays a major role . It isn't any old object that is chosen to receive the honor of becoming an object ...
Page 77
... object . Reality was in the painting . When the Cubist painter said to himself , ' I will paint a bowl , ' he set out to do it with the full realiza- tion that a bowl in painting has nothing to do with a bowl in real life . We always ...
... object . Reality was in the painting . When the Cubist painter said to himself , ' I will paint a bowl , ' he set out to do it with the full realiza- tion that a bowl in painting has nothing to do with a bowl in real life . We always ...
Page 219
... object , the object is reduced to almost nothing . What interests us most — what is outside or what is inside a form ? When you look at Cézanne's apples , you see that he hasn't really painted apples , as such . What he did was to paint ...
... object , the object is reduced to almost nothing . What interests us most — what is outside or what is inside a form ? When you look at Cézanne's apples , you see that he hasn't really painted apples , as such . What he did was to paint ...
Table des matières
Section 1 | 9 |
Section 2 | 13 |
Section 3 | 16 |
Droits d'auteur | |
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afternoon Apollinaire Aragon atelier Bateau Lavoir Braque Brassaï brought bullfight called canvas Chagall Claude color Cubist decided Dora Maar drawing Eluard everything eyes face father Father Couturier feel felt Françoise Françoise Gilot friends Galloise gave Geneviève Gertrude Stein Gide girl give Golfe-Juan grandmother hair head idea Inès interest Juan Gris Kahnweiler kind knew Kootz later laughed leave Léger lithograph looked lunch Marcel Marie Laurencin Marie-Thérèse Marie-Thérèse Walter Matisse Ménerbes Midi Monsieur morning Mourlot Musée d'Antibes museum never Olga once Pablo began Pablo told painter painting Paris Paul Paul Eluard Paulo period Picasso portrait pottery realized Rue des Grands-Augustins Sabartés sculpture seemed showed someone Stalin stay studio talk tell Tériade there's things thought tion told Pablo took turned understand Vallauris walked weeks woman