Life with PicassoAnchor Books/Doubleday, 1989 - 373 pages Francoise Gilot met Picasso during the German occupation of Paris, she was twenty-one, he was sixty-two. For nearly a decade, Gilot shared her life with this giant of the art world, giving birth to two of his children, working as his model, and sharing his world. This uniquely candid and vivid memoir takes readers behind the Piccasso legend to meet the man. |
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Page 72
... painting is never subversive . It's always a kind of bag into which the viewer can throw anything he wants to get rid of . You can't impose your thought on people if there's no relation between your painting and their visual habits . I ...
... painting is never subversive . It's always a kind of bag into which the viewer can throw anything he wants to get rid of . You can't impose your thought on people if there's no relation between your painting and their visual habits . I ...
Page 74
... painting , I would choose them with great care . For example , in a painting by Matisse the object plays a major role . It isn't any old object that is chosen to receive the honor of becoming an object in a painting by Matisse . They're ...
... painting , I would choose them with great care . For example , in a painting by Matisse the object plays a major role . It isn't any old object that is chosen to receive the honor of becoming an object in a painting by Matisse . They're ...
Page 77
... painting . But , I said , I couldn't see exactly the interior necessity that had brought forth the papier collé . It had always seemed to me that papier collé was a kind of by - product or perhaps even the fading - out of Cubist painting ...
... painting . But , I said , I couldn't see exactly the interior necessity that had brought forth the papier collé . It had always seemed to me that papier collé was a kind of by - product or perhaps even the fading - out of Cubist painting ...
Table des matières
Section 1 | 9 |
Section 2 | 13 |
Section 3 | 16 |
Droits d'auteur | |
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afternoon Apollinaire Aragon atelier Bateau Lavoir Braque Brassaï brought bullfight called canvas Chagall Claude color Cubist decided Dora Maar drawing Eluard everything eyes face father Father Couturier feel felt Françoise Françoise Gilot friends Galloise gave Geneviève Gertrude Stein Gide girl give Golfe-Juan grandmother hair head idea Inès interest Juan Gris Kahnweiler kind knew Kootz later laughed leave Léger lithograph looked lunch Marcel Marie Laurencin Marie-Thérèse Marie-Thérèse Walter Matisse Ménerbes Midi Monsieur morning Mourlot Musée d'Antibes museum never Olga once Pablo began Pablo told painter painting Paris Paul Paul Eluard Paulo period Picasso portrait pottery realized Rue des Grands-Augustins Sabartés sculpture seemed showed someone Stalin stay studio talk tell Tériade there's things thought tion told Pablo took turned understand Vallauris walked weeks woman