Settling Scores: German Music, Denazification, & the Americans, 1945-1953Univ of North Carolina Press, 2005 - 325 pages Classical music was central to German national identity in the early twentieth century. The preeminence of composers such as Bach and Beethoven and artists such as conductor Wilhelm Furtwngler and pianist Walter Gieseking was cited by the Nazis as justifi |
Table des matières
Introduction | 1 |
1 Preparing for Music Control | 12 |
Denazification and Revolution 1945 | 44 |
3 Reforming Music Culture 19451946 | 96 |
Wilhelm Furtwängler and the End of Denazification | 128 |
The Retreat from Reform 19471950 | 167 |
American Artists in Cold War Germany 19481953 | 205 |
A New Day in Beulah | 253 |
Notes | 265 |
Bibliography | 303 |
| 317 | |
Autres éditions - Tout afficher
Settling Scores: German Music, Denazification, and the Americans, 1945-1953 David Monod Aucun aperçu disponible - 2016 |
Expressions et termes fréquents
administration Allies Alois Hundhammer American music artists arts audience Austria Bavaria Bayreuth Berlin blacklist Carl Orff Carlos Moseley classical music Clay committee composers concert conductor conflict critics cultural December democratic denazification Dieter Sattler director Division E&CR European February festival field file find first Furtw'alngler Furtwangler Furtwangler’s German Germany’s Gieseking Hans Rosbaud Harrison Kerr Heinz Tietjen Herbert von Karajan HICOG Hindemith Hitler ICD’s influence Information Control Intelligence interview John Bitter John Evarts July June Karajan Karl Holl Kilenyi Knappertsbusch licensing McClure ment Military Government ministry Munich Music Branch music officers music oflicers musicians Nazi Nazism Newell Jenkins occupation officials oflicers oflicial OMGB OMGUS opera orchestra Papers party Pasetti perform Philharmonic political Porgy position reeducation reorientation Report Rosbaud September 1945 SHAEF Solti Soviets Staatsoper Stuttgart Theater and Music Third Reich Tietjen tion USACA Vienna Wagner Wilhelm Furtwangler