Screenwriting Poetics and the Screen Idea
A new, original investigation into how screenwriting works; the practices, creative 'poetics' and texts that serve the screen idea. Using a range of film, media and creative theories, it includes new case studies on the successful ITV soap Emmerdale, Hitchcock's first major screenwriter and David Lean's unfinished film, Nostromo.
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2 Theoretical Approaches
3 The Orthodox Poetics of Screenwriting
4 The Real World and Screenwriting as Work
6 The Individual Their Creativity and the Poetics
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action Alexander Mackendrick allows analysis appears approach audience become beliefs Bolt British camera Chapter character close collaboration collection complete considered construction continuity conventional create creative critical cultural described detail dialogue direction director discourse discussion documents doxa draft drama early effect elements Emmerdale episode example field Figure film focus framework genre Hampton Idea Work Group important individual industry involved later Lean less manuals meaning moving narrative nature Nostromo notes offer original orthodoxy paradigm particular plot poetics possible practice present principles production proposed question refers relation remains response says scene screen idea screenplay screenwork screenwriting script seen sense sequence shared shot soap social sources specific stage Stannard story storyline structure style subjective suggest television tion understanding usually visual writer written