The Rise of the American Comics Artist: Creators and Contexts

Paul Williams, James Lyons
Univ. Press of Mississippi, 11 nov. 2010 - 256 pages
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Contributions by David M. Ball, Ian Gordon, Andrew Loman, Andrea A. Lunsford, James Lyons, Ana Merino, Graham J. Murphy, Chris Murray, Adam Rosenblatt, Julia Round, Joe Sutliff Sanders, Stephen Weiner, and Paul Williams

Starting in the mid-1980s, a talented set of comics artists changed the American comic book industry forever by introducing adult sensibilities and aesthetic considerations into popular genres such as superhero comics and the newspaper strip. Frank Miller's Batman: The Dark Knight Returns (1986) and Alan Moore and Dave Gibbons's Watchmen (1987) revolutionized the former genre in particular. During this same period, underground and alternative genres began to garner critical acclaim and media attention beyond comics-specific outlets, as best represented by Art Spiegelman's Maus. Publishers began to collect, bind, and market comics as “graphic novels,” and these appeared in mainstream bookstores and in magazine reviews.

The Rise of the American Comics Artist: Creators and Contexts brings together new scholarship surveying the production, distribution, and reception of American comics from this pivotal decade to the present. The collection specifically explores the figure of the comics creator—either as writer, as artist, or as writer and artist—in contemporary US comics, using creators as focal points to evaluate changes to the industry, its aesthetics, and its critical reception. The book also includes essays on landmark creators such as Joe Sacco, Art Spiegelman, and Chris Ware, as well as insightful interviews with Jeff Smith (Bone), Jim Woodring (Frank) and Scott McCloud (Understanding Comics). As comics have reached new audiences, through different material and electronic forms, the public's broad perception of what comics are has changed. The Rise of the American Comics Artist surveys the ways in which the figure of the creator has been at the heart of these evolutions.

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Table des matières

DemoGraphics Comics and Politics
Artists or Employees?
Creative Difference Comics Creators and Identity Politics
Authorizing Comics How Creators Frame the Reception of Comic Texts
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À propos de l'auteur (2010)

Paul Williams is teaching fellow in English at the University of Exeter. His work has been published in the European Journal of American Culture, Science Fiction Studies, Journal of Transatlantic Studies, the European Journal of American Studies, and Science Fiction Film and Television. James Lyons is senior lecturer in film at the University of Exeter. He is author of Selling Seattle: Representing Contemporary Urban America and coeditor (with John Plunkett) of Multimedia Histories: From the Magic Lantern to the Internet and (with Marc Jancovich) Quality Popular Television.

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