United Artists, Volume 2, 1951–1978: The Company That Changed the Film IndustryUniv of Wisconsin Press, 8 avr. 2009 - 472 pages In this second volume of Tino Balio’s history of United Artists, he examines the turnaround of the company in the hands of Arthur Krim and Robert Benjamin in the 1950s, when United Artists devised a successful strategy based on the financing and distribution of independent production that transformed the company into an industry leader. Drawing on corporate records and interviews, Balio follows United Artists through its merger with Transamerica in the 1960s and its sale to MGM after the financial debacle of the film Heaven’s Gate. With its attention to the role of film as both an art form and an economic institution, United Artists: The Company That Changed the Film Industry is an indispensable study of one company’s fortunes from the 1950s to the 1980s and a clear-eyed analysis of the film industry as a whole. This edition includes an expanded introduction that examines the history of United Artists from 1978 to 2008, as well as an account of Arthur Krim’s attempt to mirror UA’s success at Orion Pictures from 1978 to 1991. |
Table des matières
Prelude at EagleLion | 7 |
Gambling on Independent Production | 38 |
The Company in Place | 83 |
Making Them Big | 115 |
The Studio without Walls | 157 |
Selling Them Big | 193 |
International Operations Part 1 Of Art Films and Great Britain | 218 |
007 A License to Print Money | 249 |
Life with a Conglomerate | 298 |
To MGM and Beyond | 329 |
United Artists Domestic Releases 19511978 | 345 |
United Artists Principal Producers 19511978 | 384 |
United Artists Collection Addition 19501980 | 394 |
Index of Motion Picture Titles | 419 |
| 427 | |
International Operations Part 2 France and Italy | 271 |
Expressions et termes fréquents
$3 million ABK interview Academy Award actor American film Arthur Rank Aubrey Schenck-Howard audience Beckett Billy Wilder blockbusters Bond pictures boxoffice British budget Burt Lancaster Chaplin Company in Place Conglomerate contract Corporation David deal directed director distribution fee distributor domestic Eagle-Lion Edward Small exhibitors film industry financing foreign films Gambling on Independent Greatest Story Harry Saltzman Hecht-Lancaster Hollywood Ibid Independent Production International Operations Jack James Bond John Kirk Douglas Krim and Benjamin Last Tango Legion Limelight Lopert Love majors Michael Moon Is Blue movie MPAA Norman Jewison novel orig percent Pickford play Prelude at Eagle-Lion premiere Preminger president producer profits Rank record Robert screen screenplay script Selling Them Big Stanley Kramer star Studio without Walls TA's talent television theaters tion Transamerica ture UA released UA's United Artists Walter Mirisch wanted West Side Story York Young Youngstein

