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Descriptive Lessons by the Professors whose studies in colour are mentioned in the last paragraph; appropriate Explanatory Matter to the other Illustrations; popular Essays and able Reviews. The following extract from the full Prospectus relates to one department of the Magazine, which alone should enlist the liveliest goodwill and co-operation of all who have families, while the whole scope of the project renders it eminently deserving the support of all persons of education and taste.— "The Accomplishments present a wide field for Chromolithographic Illustration. It is intended during the year to give fifty-two descriptive lessons, with fifty-two coloured models or illustrations, on landscape, figure, flower, and ornamental painting, and illumination. An illustrated lesson on one or other of these subjects will be given every week; each branch, coming round again in its turn about once a month, will be presided over by an eminent professor, and these fifty-two lessons will contain more information than any one could attain in a similar number of lessons for fifty-two guineas,-in addition to which, absolute facsimiles of the professor's studies will remain; and thus a lesson, which given in the ordinary way from master to pupil would there exhaust itself and end, continues in the Journal a life-giving property, to be used ad infinitum by member after member of a family." TERMS OF SUBSCRIPTION. The size will be an elegant Quarto; each number will contain SIXTEEN PAGES, in double columns, and THREE FULL-PAGE CHROMOLITHOGRAPHS. Price SIXPENCE to Subscribers. The YEARLY SUBSCRIPTION will be TWENTY-SIX SHILLINGS; for this will be received Fifty-two Numbers, i.e.-One every Saturday, of the Journal, containing in all 832 pages of text, double columns, and 156 full-page Chromolithographs, of a thoroughly artistic character; i.e.-Fifty-two copies in Colour of Modern and Ancient Pictures, Fifty-two in Colour and Gold of choice Objects of Ornamental Art, and Fifty-two Facsimiles of Studies by eminent Teachers in every walk of Art; which will constitute two magnificent volumes, such as heretofore would be published at Ten Guineas. To prepaid Subscribers for the whole year, and to no others, will be presented, within four months of the publication of Number I., the most highly-finished Chromolithograph conceivable (such as would sell at Two Guineas each), to the full size and in absolute facsimile, of the Garvah Kaphael (size 15 in. by 13 in.), for which the British Nation paid, in 1865, Nine Thousand Guineas. The Illustrations for such a Journal involve an enormous outlay, and require very considerable time for production. It is absolutely impossible to provide from week to week for a fluctuating or uncertain circulation, and it is therefore necessary, before publishing the first number, to have a Fixed List of Subscribers, and to whom alone the supply of the Journal can be guaranteed. SUBSCRIBERS WILL ALSO BE RECEIVED FOR THE FIRST FOUR NUMBERS ONLY, for which Two Shillings must be remitted, such Subscribers to have the option of continuing the Magazine for the year after receiving Number I. (which will give sufficient time to prepare the Fifth and succeeding numbers; but to those who may thus conditionally subscribe, the great privilege of "The Garvagh Raphael" will not be accorded. Applications for full Prospectuses (which alone can give an idea of the great value of this Journal), and all communications for the Editor, as well as all orders for Advertisements, to be addressed to Mr. WILLIAM J. DAY, at the Office of THE CHROMOLITHOGRAPH, 20, Cockspur Street, London, S. W. THE EXTRAORDINARY ART UNION. LIST FOR 1ST SEASON WILL SHORTLY CLOSE. Every Subscriber to receive, for each Guinea paid, SEVEN LARGE PICTURES IN OIL, CARTOONS OF RAFFAELLE, The Property of the British Nation, and now exhibiting at the South Kensington Museum. Each Chromolithograph will be about 28 by 18, on mount 38 by 25, a size usually sold at Three Guineas each, or £22 1s. for such a set of seven as now announced for One Guinea. Specimens of the Cartoons may be seen at the Gallery. NOTE-Booksellers supplied with Prospectuses bearing their own Names and Addresses, for either or both of the above, on application. London: W. J. DAY, 20, Cockspur Street, S.W. THE CHROMOLITHOGRAPH. The full-page Chromolithographs, and Plates in Colours and Gold, in the first four Numbers will be somewhat as follows: After a Water-colour Drawing, by Louis HAGHE. A choice object of Ornamental Art from the French Exhibition, 1867. Landscape Study in Water-colours, by AARON PENLEY. "The Flower Girl," after MURILLO. A choice object of Ornamental Art from the French Exhibition, 1867. Study in Illumination, by W. & G. AUDSLEY. After a Water-colour Drawing, by GEORGE SHALDERS. A choice object of Ornamental Art from the French Exhibition, 1867. Figure Study in Water-colour, after FREDERICK SMALLFIELD. "Innocence," after SIR JOSHUA REYNOLDS. A choice object of Ornamental Art from the French Exhibition, 1867. Study of Flower-painting in Water-colours, after T. GRÖNLAND. "THE CHROMOLITHOGRAPH" AND WATER-COLOUR PAINTING. Mr. AARON PENLEY, Senior Professor of Drawing and Painting at the Royal Military College, Addiscombe, Member of the New Society of Painters in Water-colours, and Author of "The English School of Painting in Water-colours, its Theory and Practice," will contribute every fourth week a full-page Water-colour Drawing of Landscape Scenery, together with a Descriptive Lesson; and the same accomplished artist and distinguished teacher will contribute each intermediate fortnight an Article, which will ultimately form a continuous elucidation of the whole art and mystery of Painting in Water-colours. "THE CHROMOLITHOGRAPH" AND FIGURE PAINTING. A full-page Coloured Study, and a Descriptive Lesson, will appear once a month. Mr. FREDERICK SMALLFIELD, whose talent as an Artist, and pre-eminence as a Teacher, in this branch of Art, are so well-known, has undertaken to supply the necessary Water-colour Drawings and written instructions. THE CHROMOLITHOGRAPH" & FLOWER & FRUIT PAINTING. Mr. T. GRÖNLAND, who is acknowledged, by our most renowned painters, to be the very best Artist for the purpose, will contribute, once a month, a full-page Coloured Study, and Descriptive Lesson for executing the same in both Oil and Water-colour, and he promises to give, successively, the most prominent specimens to be obtained by following the natural productions of the seasons; thus, a student will not only be able to copy accurate representations of nature by an accomplished Artist, but also at once to appeal back to nature herself for further inspiration. THE CHROMOLITHOGRAPH" AND WOOD CARVING, AND THE VARIOUS STUDIES IN CONNECTION WITH THAT ART. Mr. GEORGE ALFRED ROGERS, Artist in Wood to the Queen, Professor of Wood Carving at the Crystal Palace School of Art, and Author of several Works on the subject, will contribute an Hlustrated Paper once a month, treating of Fretwork, Carved Fretwork, and the more advanced study; and ample materials, for study and execution, will be supplied to occupy the amateur during the monthly intervals. "THE CHROMOLITHOGRAPH" AND ILLUMINATION. Messrs. W. & G. AUDSLEY, of Liverpool, whose magnificently illuminated works, published under Mr. W. DAY's direction, have gained such world-wide fame, will contribute, once a month, a full-page Illustration, and accompanying Text, and will do all that can be done to make every student of their Articles and Illustrations equally as well-informed, and accomplished in execution, as they themselves are acknowledged to be. THE CHROMOLITHOGRAPH" AND THE DECORATIVE ARTS. Dr. DRESSER has selected subjects from the Paris Exhibition to form a full-page Illustration every week, to which he will add Descriptive Texts. See latter part of preceding page. NOTE.—Booksellers supplied with Prospectuses bearing their own Names and Addresses, for either or both of the preceding, on application. London: W. J. DAY, 20, Cockspur Street, S.W. |