Yellow Crocodiles and Blue Oranges: Russian Animated Film since World War IIMcGill-Queen's Press - MQUP, 20 mai 2005 - 296 pages MacFadyen further analyses Soviet animation through phenomenology, arguing that the latter is a viable alternative not only to dogmatic Marxism but also to the ideological vacuum of post-Soviet times. The book includes a comprehensive bibliography and filmography as well as a rich collection of images. |
Table des matières
THE PROVENANCE OF ANIMATED PHENOMENOLOGY | 29 |
JOURNALISM AND THE VOX POPULI | 103 |
Conclusion | 171 |
Notes | 179 |
Bibliography | 201 |
| 233 | |
Screenplays | 243 |
| 253 | |
Autres éditions - Tout afficher
Yellow Crocodiles and Blue Oranges: Russian Animated Film since World War II David MacFadyen Aucun aperçu disponible - 2005 |
Expressions et termes fréquents
aesthetic affect Aksenchuk Altei animation's April art form artists Atamanov back cover body BPSK Brumberg Buratino celebrated Cheburashka Chto cinema colour consciousness culture decades December Deleuze dialectic Disney Disney's dlia dogma Ekran Èkran i stsena emotional epoché essence èto example expression Ezhik fantasy festival filosofii Flamingo folklore gazeta Golden Antelope hero humour Husserl Ibid ideology Iskusstvo kino Ivanov-Vano January June Kachanov Khitruk Kinotsentr Kliaksa Kommersant Kommersant-Daily Krok kukly Leningrad live-action magic Mal'chik Marxism metaphorical metonymy Moscow Moskovskii komsomolets movement movie mul'tfil'my Mul'tiplikatsiia nature Norshtein notions November Novye objects October Ogonek perestroika phenomenology philosophy pogodi political potential pravda problems puppet realism reality rhythm Russian rybka Sartre Sartre's screenplays segodnia selfhood sentiment Skazka Smena social socialist Soiuzmul'tfil'm song Sovetskaia kultura Sovetskii èkran Sovetskii film Soviet animation Soviet cartoons Soviet Union Starewicz tale Tale of Tales things tion tradition VGIK viewers visual volk worldview Zolotaia