Elizabethan Music and Musical CriticismUniversity of Pennsylvania Press, 11 nov. 2016 - 392 pages This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas. |
Table des matières
| 1 | |
II Music Attacked and Defended | 13 |
III Music Sung in Church | 35 |
IV Madrigals | 88 |
V Songs | 121 |
VI Instruments and Instrumental Music | 147 |
VII Music on the Stage | 183 |
VIII Musical Relations with the Continent | 197 |
IX Musical Theory | 214 |
X The Musician Himself | 262 |
XI Finale | 269 |
Appendices | 271 |
Bibliographies | 311 |
Index | 335 |
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Expressions et termes fréquents
Alfonso Ferrabosco anthems Anthony Wood bass Booke of Ayres Bull Byrd's Campion canons Cantiones Cathedral century Chapel Royal choir choirboys chord clef composers compositions Consort counterpoint dedicated dittie divers doth Easie Introduction edition Edward Elizabethan England English Madrigal excellent famous Farnaby Giles Giles Farnaby harmony hath heere Henry honor instruments Italian John Dowland King Latin London Lord lute Lutenist Madrigalls Marenzio masque Master mentioned modern Morley's motets musicians notes organist Orlando Gibbons Oxford Peacham Plaine and Easie play poem poet praise Prince printed Psalmes Psalter publ published Puritans Queen Elizabeth quoted Ravenscroft Richard Robert Robert Dowland Rosseter sacred Shakespeare sing singers skill songs sound sung syllables Tallis Tenor Thomas Morley Thomas Ravenscroft Thomas Tomkins thou tion TOBIAS HUME Treble Tudor Church Music tunes unto viol Violl virginals voices voyces Weelkes Wilbye William Byrd words writing wrote