Film Programming: Curating for Cinemas, Festivals, Archives

Couverture
Columbia University Press, 9 juin 2015 - 144 pages
This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers—everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.
 

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Table des matières

Acknowledgements
Introduction
Reflection
Cinephilia as a Curatorial Element
The Network of Intermediaries
Curating Film Theatres
Curating Film Festivals
Curating Film Archives
Case Studies
Final Words
Bibliography
Index
Droits d'auteur

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À propos de l'auteur (2015)

Peter Bosma is an independent programmer, researcher, and lecturer in film studies based in the Netherlands.

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