Eugene Onegin: A Novel in Verse, Volume 1 |
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Page 19
If we replace the notions story , character , landscape , recollection , and didactic
digression by the letters S , C , L , R , and D , then we can define all types of
transition as more or less distinctly expressed switchings from S to C , from C to S
...
If we replace the notions story , character , landscape , recollection , and didactic
digression by the letters S , C , L , R , and D , then we can define all types of
transition as more or less distinctly expressed switchings from S to C , from C to S
...
Page 24
autobiographical matters , is the most conspicuous digression in the canto . It
shall be known as the Pedal Digression . A natural transition leads to it from
XXVIII : 10 – 14 , in which two themes are adumbrated : ( 1 ) ardent glances
following ...
autobiographical matters , is the most conspicuous digression in the canto . It
shall be known as the Pedal Digression . A natural transition leads to it from
XXVIII : 10 – 14 , in which two themes are adumbrated : ( 1 ) ardent glances
following ...
Page 38
leads to a digression . XVIII : 11 - XXII : The reference to Onegin ' s " foes ” ( from
whom the author defends his hero by pointing out the nobility of his soul ) brings
about the easy transition , " Foes upon earth has everyone , but God preserve us
...
leads to a digression . XVIII : 11 - XXII : The reference to Onegin ' s " foes ” ( from
whom the author defends his hero by pointing out the nobility of his soul ) brings
about the easy transition , " Foes upon earth has everyone , but God preserve us
...
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LibraryThing Review
Avis d'utilisateur - amydross - LibraryThingI've read another translation before in proper verse, and while I understand that the story's not the same without the rhymes, Nabokov's rendering is, I think, as close to perfection as I will come until I can read the original. Consulter l'avis complet
Table des matières
INDEX | 3 |
THE EUGENE ONEGIN STANZA | 9 |
THE STRUCTURE OF EUGENE ONEGIN | 15 |
Droits d'auteur | |
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Expressions et termes fréquents
already arrival ball beginning brought canto Chapter charming comes complete conversation copy course dear described digression drafts dream edition Eight Eugene eyes fair fashionable fate final Five followed Four French friends gaze given half hand heart hero husband January Journey kind known ladies Larin later leads leaves Lenski letter light lines live looks matter Mihaylovskoe morning Moscow motto natural neighbor never night novel numbered Odessa Olga once Onegin opens passage passion Petersburg poem poet poor present printing professional Public published Pushkin reader reference rhetorical rhymes Russian Seven sleep soul spring stanzas Tanya Tatiana tears theme thought Three tion transition translation turn verse voice Vyazemski winter write XLII XXXII young youth