Eugene Onegin: A Novel in Verse, Volume 1 |
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Page 18
When examining the transitions in the structure of a work , and in passing esthetic
and historical judgment upon them , we must distinguish , of course , between the
what and the how , between the kind of transition chosen for this or that ...
When examining the transitions in the structure of a work , and in passing esthetic
and historical judgment upon them , we must distinguish , of course , between the
what and the how , between the kind of transition chosen for this or that ...
Page 38
A didactic transition ( “ You will agree , my reader , that very nicely did our pal act
, ” etc . ) leads to a digression . XVIII : 11 - XXII : The reference to Onegin ' s " foes
” ( from whom the author defends his hero by pointing out the nobility of his soul )
...
A didactic transition ( “ You will agree , my reader , that very nicely did our pal act
, ” etc . ) leads to a digression . XVIII : 11 - XXII : The reference to Onegin ' s " foes
” ( from whom the author defends his hero by pointing out the nobility of his soul )
...
Page 39
A transition to the next theme is prepared by the reference to the “ madrigals ” that
one is expected to turn out for the albums of modish belles . XXXI : But Lenski
writes not madrigals ( see , however , Two : XXXVII ) but elegies , and yet another
...
A transition to the next theme is prepared by the reference to the “ madrigals ” that
one is expected to turn out for the albums of modish belles . XXXI : But Lenski
writes not madrigals ( see , however , Two : XXXVII ) but elegies , and yet another
...
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LibraryThing Review
Avis d'utilisateur - amydross - LibraryThingI've read another translation before in proper verse, and while I understand that the story's not the same without the rhymes, Nabokov's rendering is, I think, as close to perfection as I will come until I can read the original. Consulter l'avis complet
Table des matières
INDEX | 3 |
THE EUGENE ONEGIN STANZA | 9 |
THE STRUCTURE OF EUGENE ONEGIN | 15 |
Droits d'auteur | |
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Expressions et termes fréquents
already arrival ball beginning brought canto Chapter charming comes complete conversation copy course dear described digression drafts dream edition Eight Eugene eyes fair fashionable fate final Five followed Four French friends gaze given half hand heart hero husband January Journey kind known ladies Larin later leads leaves Lenski letter light lines live looks matter Mihaylovskoe morning Moscow motto natural neighbor never night novel numbered Odessa Olga once Onegin opens passage passion Petersburg poem poet poor present printing professional Public published Pushkin reader reference rhetorical rhymes Russian Seven sleep soul spring stanzas Tanya Tatiana tears theme thought Three tion transition translation turn verse voice Vyazemski winter write XLII XXXII young youth