An Architecture of Immanence: Architecture for Worship and Ministry TodayEerdmans Publishing Company, 22 janv. 2007 - 327 pages In this book Mark Torgerson shows how modern architecture has heavily influenced the construction of new sacred spaces, producing a new way of building that emphasizes God's coming near to us. Torgerson begins by discussing God's transcendence and immanence and showing how church architecture has traditionally interpreted these key concepts. He then traces the theological roots of immanence's priority from liberal theology and liturgical innovation to modern architecture. Next, Torgerson illustrates this new architecture of immanence through particular practitioners, focusing especially on the work of theologically savvy architect Edward Anders Svik. Finally, he addresses the future of church architecture as congregations are buffeted by the twin forces of liturgical change and postmodernism. An Architecture of Immanence will interest architects, liturgists, and all Christians who seek to read the sacred spaces of the recent past. |
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Page 131
... walls are reinforced concrete sided with stone ( on both the exterior and the interior ) . The upper walls and roof are wood supported by angular laminated arches that are exposed on the interior . There is a wall of stained glass at ...
... walls are reinforced concrete sided with stone ( on both the exterior and the interior ) . The upper walls and roof are wood supported by angular laminated arches that are exposed on the interior . There is a wall of stained glass at ...
Page 132
... walls that angle inward toward a slightly rounded roof . At one end of the building a wall of stained glass rises from the entry to the roof . Interior view of Trinity Lutheran Church . A rich wooden roof forms an arch over the stone walls ...
... walls that angle inward toward a slightly rounded roof . At one end of the building a wall of stained glass rises from the entry to the roof . Interior view of Trinity Lutheran Church . A rich wooden roof forms an arch over the stone walls ...
Page 177
... walls . Stained glass is placed in three of the four walls : there are two large sections on the lower part of one wall , two on the upper part of the opposite wall , and clerestory panels along a third wall ( opposite the platform area ) ...
... walls . Stained glass is placed in three of the four walls : there are two large sections on the lower part of one wall , two on the upper part of the opposite wall , and clerestory panels along a third wall ( opposite the platform area ) ...
Table des matières
The Elevation of Gods People | 25 |
Faith Engaging Culture | 43 |
Emphasizing an Architecture of Immanence | 69 |
Droits d'auteur | |
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activities altar altar/table approach archi architects architectural design architecture of immanence baptism Bartning beauty Böhm Bonhoeffer Catholic and Protestant Catholic Church chancel chapel Christ Christian Church Christian communities Christian worship Church Architecture church building clergy concern congregation Corbusier Debuyst denominational document Dominikus Böhm ecumenical edition emphasized environment Eucharist Europe Evangelical expressions exterior featured focus font function gathered God's immanence Gothic Gothic revival Gropius Hammond historical holy House human immanence interior International Style Jesus laity Le Corbusier liberal theology liturgical movement liturgical renewal located Lutheran Church materials modern architecture modern church design nave nonchurch organic Pietro Belluschi Press primary published pulpit reflections Reformed Religious Architecture Roman Catholic Roman Catholic Church Rudolf Schwarz sacrament seating secular significant Sövik structure symbols tabernacle theologians theological tion traditions transcendence twentieth century United Unity Temple Vatican Vatican II Walter Gropius worship and ministry worship renewal worship space York