Jean-François Millet: Drawn Into the Light

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Yale University Press, 1999 - 137 pages
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Few artists of the nineteenth century created works as subtly evocative, as socially poignant, and as artistically influential as Jean-Francois Millet did. This book examines Millet's technical and creative achievement, focusing on his rarely seen pastels, watercolors, and drawings, and considering them as independent works of art, as procedural steps toward paintings, and as important elements in his finished pictures.
 

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Jean-François Millet: drawn into the light

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Murphy and her coauthors share an enormous amount of art curatorial and writing experience, and the latest result of their labors is another superb art exhibition catalog, filled with fine art ... Consulter l'avis complet

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À propos de l'auteur (1999)

Murphy is an independent art historian and an internationally recognized expert on Millet.

Richard Rand is a professor of English at the University of Alabama. He is the translator of Derrida's "Signsponge" (1984) and cotranslator of Derrida's "Glas" (1986).

Brian Allen is director of studies at the Paul Mellon Centre for Studies in British Art. John Baskett is an independent scholar and former art advisor to Paul Mellon. His is author of The Horse in Art (Yale). Jules Prown, Paul Mellon Professor Emeritus of the History of Art, Yale University, was the founding director of the Yale Center for British Art, 1968-76. William Reese is an antiquarian bookseller based in New Haven. Duncan Robinson is director of the Fitzwilliam Museum and Master of Magdalen College, Cambridge University.

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