The Pelican Guide to English Literature, Volume 4Boris Ford Penguin Books, 1962 |
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Page 80
... phrase or two , but their reputations are safe and they may be left for ' the common reader ' to take his pleasure in . Verse As for verse , its general evolution is similar ; first , disentanglement from complexity ( though still with ...
... phrase or two , but their reputations are safe and they may be left for ' the common reader ' to take his pleasure in . Verse As for verse , its general evolution is similar ; first , disentanglement from complexity ( though still with ...
Page 88
... phrase after phrase that dwells in the mind with a happy finality ; yet it remains at a distance , rhetorically splendid but personal neither to the reader nor on the whole , it would seem , to the writer . Into the Elegy went the ...
... phrase after phrase that dwells in the mind with a happy finality ; yet it remains at a distance , rhetorically splendid but personal neither to the reader nor on the whole , it would seem , to the writer . Into the Elegy went the ...
Page 241
... phrases at the beginning of the paragraph he moves to the openly ruthless ' Rottenness and Politeness ' of the later part . The double - edged phrase ' able - bodied Divines ' echoes a callously secular view of the usefulness of the ...
... phrases at the beginning of the paragraph he moves to the openly ruthless ' Rottenness and Politeness ' of the later part . The double - edged phrase ' able - bodied Divines ' echoes a callously secular view of the usefulness of the ...
Expressions et termes fréquents
Addison admiration Augustan Augustan literature Augustan poetry beauty Cambridge character Clarissa classical comic Congreve contemporary couplet Cowper criticism Crusoe Defoe Defoe's Dobrée Dr Johnson drama dramatist Dryden Dunciad Eighteenth Century Elizabethan England Essays expression F. R. Leavis F. W. Bateson feeling Fielding's Goldsmith Grongar Hill heroic History Hogarth Horace Hudibras human ideas imagination imitation intellectual interest John judgement kind Lady language less Letters literary living London manner mind modern Moll Flanders moral nature novel novelist Oxford Pamela passage passion period philosophy phrase play pleasure poem poet poetic poetry political Pope Pope's praise Preface prose reader reason Restoration comedy rhymes Richardson Romantic Samuel Richardson satire scene sense seventeenth century Shakespeare Shandy Smollett social society Spectator Studies style Swift taste things thought tion Tom Jones tradition Tristram Shandy truth Vanbrugh verse virtue vols William William Hogarth words writing wrote York