The Shaping of Our Alphabet: A Study of Changing Type StylesKnopf, 1955 - 228 pages |
À l'intérieur du livre
Résultats 1-3 sur 4
Page 56
... Stanley Morison suggests that the heavy serifs on some of the earliest fonts may have been due to lack of the antimony - bismuth ingredient . Others have pointed to the coincidence that some lead mined near Mainz contains antimony as a ...
... Stanley Morison suggests that the heavy serifs on some of the earliest fonts may have been due to lack of the antimony - bismuth ingredient . Others have pointed to the coincidence that some lead mined near Mainz contains antimony as a ...
Page 190
... Stanley Morison many years ago , and is to be found in a few older faces such as Bookman . An italic of this form gives the necessary differentiation , which is the only reason for using italic , without introducing a disturbing change ...
... Stanley Morison many years ago , and is to be found in a few older faces such as Bookman . An italic of this form gives the necessary differentiation , which is the only reason for using italic , without introducing a disturbing change ...
Page 207
... Stanley Morison as a body face for the London Times , it achieves great legibility , particularly in the smaller sizes , without sacrificing those qualities of design that make a type pleasing to the eye . As in other types in which ...
... Stanley Morison as a body face for the London Times , it achieves great legibility , particularly in the smaller sizes , without sacrificing those qualities of design that make a type pleasing to the eye . As in other types in which ...
Table des matières
The Wonderful Attic | 11 |
The Word in the Beginning | 21 |
Printing and the Renaissance | 45 |
Droits d'auteur | |
12 autres sections non affichées
Autres éditions - Tout afficher
The Shaping of Our Alphabet: A Study of Changing Type Styles Frank Denman Aucun aperçu disponible - 2012 |
The Shaping of Our Alphabet: A Study of Changing Type Styles Frank Denman Aucun aperçu disponible - 2012 |
Expressions et termes fréquents
42-line Bible ad finem fefe American American Type Founders Baskerville Bible bla bla bla Bodoni Caslon Catilina century Cheltenham Cheltenham Bold confenfus bonorum omnium confilia non fentis developed Dutch effe effrenata jactabit audacia English etiam furor ifte face fefe effrenata jactabit finem fefe effrenata founts fuit fuper furor ifte tuus Garamond Gothic Goudy Greek Gutenberg habendi fenatus locus horum ora vultufque ifte tuus eludet invention Italic Jenson KENNERLEY letters Linotype LONG PRIMER Mainz modern Morris movable type munitiffimus habendi fenatus nibil nihil confenfus bonorum nihil hic munitiffimus nihil horum nihil timor populi nihil urbis vigilia nihilne te nocturnum nocturnum præfidium palatii patientia noftra PICA printers printing punch punch-cutting quæ quam quamdiu nos etiam quem ad finem quod Quoufque tandem abutêre Renaissance serifs SMALL PICA style type design type foundry typefounders typographic Victorian vultufque moverunt W. A. Dwiggins καὶ ὁ θεὸς אלהים