Molière's Spanish Connection: Seventeenth-century Spanish Theatrical Influence on Imaginary Identity in MolièreP. Lang, 2001 - 178 pages Part of the enduring charm of Molière's characters stems from their insistent belief, in the face of overwhelming odds, that they can be whatever they choose. This idea of identity as a mercurial and resilient force is one Molière was able to expand and explore largely because of his knowledge of early-seventeenth-century Spanish theatre. While the impact of Italian and Latin sources has been well documented, in this volume, Thomas P. Finn offers socio-historical as well as textual analyses to trace the comedia's influence on Molière's concept of identity. Through an in-depth study of specific works and general trends, he shows how Molière reworked and reinvigorated the Spanish process of identity construction and distribution. By examining this neglected aspect of Molière's work, Finn's study exposes identity largely as a product of the imagination that individual as well as societal forces, on both sides of the Pyrenees, sought to control. |
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Page 116
... Dom Juan has also been described as something akin to a visionary who sees a new state of things that others in his society cannot yet visualize . This view seems justified since Dom Juan knows that membership in the nobility and ...
... Dom Juan has also been described as something akin to a visionary who sees a new state of things that others in his society cannot yet visualize . This view seems justified since Dom Juan knows that membership in the nobility and ...
Page 119
... Dom Juan's . Such actions clearly draw the battle lines between the protagonists , who desire individual identities based on actual comportment , and those who allow the community's social categories to dictate identity for them . We ...
... Dom Juan's . Such actions clearly draw the battle lines between the protagonists , who desire individual identities based on actual comportment , and those who allow the community's social categories to dictate identity for them . We ...
Page 126
... Don Juans have nothing to exploit . In the two encounters with Elvire , it is clear that she needs Dom Juan to play a part in scenes she has already scripted ( Weinreb 430 ) . Moreover , none of the women in either play can accept the ...
... Don Juans have nothing to exploit . In the two encounters with Elvire , it is clear that she needs Dom Juan to play a part in scenes she has already scripted ( Weinreb 430 ) . Moreover , none of the women in either play can accept the ...
Table des matières
Introduction | 1 |
Emulation and Competition FrancoIberian Political | 15 |
Reputation and Imaginary Identity in Le Menteur | 23 |
Droits d'auteur | |
9 autres sections non affichées
Autres éditions - Tout afficher
Molière's Spanish Connection: Seventeenth-century Spanish Theatrical ... Thomas P. Finn Affichage d'extraits - 1995 |
Expressions et termes fréquents
accept actions actually Agnès allows already amorous appearances Arnolphe attempts authority aware becomes behavior believe Bourgeois Célimène certainly Chapter characters claims clear collective imagination collectivity comedia confirm constructed continue convince Corneille create desire despite Diana Dom Juan Don Juan Dorante establish existence explains fact father favor force French García gives goal hand heroines honor imaginary identity imitate individual influence Isabelle Jourdain Juan's Juana knows latter Literature manipulate marriage marry Marta means Menteur Molière Molière's nature noble Nonetheless object offers Paris persona play playwright position possible Précieuses princess protagonists provides question reason remain reputation reveal ridicules role Sancho scene seeks seems seen Seventeenth-Century Sganarelle similar simply social society society's Spanish status story success suitors theatre things throughout Tirso de Molina Tirso's traditional trying valets wants wife woman women young
Références à ce livre
Staging Gender in Behn and Centlivre: Women's Comedy and the Theatre Nancy Eileen Copeland Aucun aperçu disponible - 2004 |
Staging Gender in Behn and Centlivre: Women's Comedy and the Theatre Nancy Eileen Copeland Affichage d'extraits - 2004 |