MaComère, Volume 2Association of Caribbean Women Writers and Scholars, 1999 |
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Page 104
... traditional constructions inadequate to her self- mythologizing , she is reluctant to abandon them totally , for she needs community and a history of connectedness to root her while she gallivants . In her essay " Rootedness , the ...
... traditional constructions inadequate to her self- mythologizing , she is reluctant to abandon them totally , for she needs community and a history of connectedness to root her while she gallivants . In her essay " Rootedness , the ...
Page 115
... traditional structures and tales that sensationalize the evils of the obeah woman and by recording her story as a tale of spiritual prowess . It is in this respect that I find the idea of the praisesong most empowering to the obeah ...
... traditional structures and tales that sensationalize the evils of the obeah woman and by recording her story as a tale of spiritual prowess . It is in this respect that I find the idea of the praisesong most empowering to the obeah ...
Page 176
... traditional definition of the genre . Maldito Amor ( translated by the author as Sweet Diamond Dust ) published in 1986 , was her first incursion with a seventy page story , divided in seven parts , about a family torn by greed ...
... traditional definition of the genre . Maldito Amor ( translated by the author as Sweet Diamond Dust ) published in 1986 , was her first incursion with a seventy page story , divided in seven parts , about a family torn by greed ...
Table des matières
Renée H Shea | 12 |
Christine W Sizemore | 23 |
Whats Important? | 36 |
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Expressions et termes fréquents
activists African diaspora Amabelle Annie John Antoinette Antoinette's Autobiography Bessie Head black women Caribbean Women child colonial color Congress of Black Creole cultural Danticat daughter discourse Dominican Dorothy dreams Edwidge Edwidge Danticat English Exil experience farming of bones Feminist fiction Fleurette Osborne French gender girl Gisèle glassblowing Guadeloupe Haiti Haitian Head's identity images interview jablesse Jamaica Kincaid jamette Jan Shinebourne Jean Rhys Kassav Krak Krik language lesbian literary literature lives MaComère madness Martinique Maryse Condé massacre metaphor mother narrative narrator novel obeah obeah woman oral Pineau's political praisesong Question of Power radical readers relationship resistance Rhys Rhys's River sexual singing social song sorcière South African spirit story strategy teacher tell Télumée Tituba tradition transformation voice West Indian white creole Wide Sargasso Sea Willoughby Women of Canada Women Writers words writing Xuela York