Technicolor Movies: The History of Dye Transfer Printing

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McFarland, 28 juin 2010 - 168 pages
Using extensive research and interviews with many of the surviving Technicolor technicians, the history of dye printing and the events leading to its demise are fully covered. (The Beijing Film Laboratory is the only facility currently using the process.) Included are diagrams of how the process worked and an extensive listing of U.S. feature films printed with it.
 

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Table des matières

Two Strip Technicolor
Two STRIP CEMENTED POSITIVE
Two STRIP DYE TRANSFER
4
THE MATRIX
7
THE BLANK
8
Two STRIP TECHNICOLOR IN THE THIRTIES
9
Three Strip Technicolor
13
Live Action Photography
15
3D
65
VistaVision
77
WlDESCREEN FLAT FlLMS
82
The Wet Gate Optical Printer
83
Thrillarama
95
SUPERSCOPE
96
TODD AO
98
Technirama and Super Technirama 70
102

The Three Strip Camera 19321955
17
Three Strip Matrices
19
The Gray Printer
20
Opticals
21
Reclaim Blank
22
Color Consultant
23
True Life Adventures
25
BLUE TRACK TECHNICOLOR
26
The British Lab
27
THE TECHNICOLOR PACKAGE
28
TECHNICOLOR FILMS IN THE THIRTIES AND FORTIES
31
Consent Decree
45
THE GOVERNMENT VERSUS TECHNICOLOR
47
Eastmancolor Negative
49
OTHER COLOR PROCESSES
52
Safety Base Film
55
Television
56
The Fabulous Fifties
61
THREE STRIP DYE TRANSFER PRINT DERIVED FROM COLOR NEGATIVE
62
PANAVISION
104
OTHER ANAMORPHIC SYSTEMS
108
MGM Camera 65 and Ultra Panavision 70
109
Technicolor Italiana
112
Decline and Demise
117
Techniscope
121
SUPER PANAVISION 70 AND PANAVISION 70
124
Sovscope 70
125
SMM AND SUPER SMM DYE TRANSFER
126
Color Reversal Internegative
127
Demise
128
Eastmancolor
130
Purge
131
DECLINE IN EXHIBITION
132
Eastmancolor Today
135
The Beijing Film Lab
136
Bibliography
141
Index
145
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À propos de l'auteur (2010)

Film director Richard W. Haines is also the author of The Moviegoing Experience, 1968–2001 2003). He lives in New York.

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