Drive: Journeys through Film, Cities and Landscapes

Couverture
Reaktion Books, 15 févr. 2013 - 280 pages
“The open road”—it’s a phrase that calls to mind a sense of freedom, adventure, and new possibilities that make driving one of our most liberating activities. In Drive, Iain Borden explores the way driving allows us to encounter landscapes and cities around the world. He takes particular notice of how driving is portrayed in film from America to Europe to Asia and from Hollywood to the avant-garde, covering over a century of history and referencing hundreds of movies. From the dusty landscapes of The Grapes of Wrath to the city streets of The Italian Job; from the aesthetic delights of Rain Man and Traffic to the existential musings of Thelma and Louise and Vanishing Point;from the freeway pleasures of Radio On and London Orbital to the high-speed dangers of Crash, Bullitt, and C’était un Rendezvous; this book shows how driving with different speeds, cars, roads, and cities provides experiences and challenges beyond compare. Borden concludes that as an integral part of modern life, car driving is something to be celebrated and even encouraged, making Drive a timely riposte to anti-car attitudes, and those blind to the richness of life behind the wheel.
 

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Table des matières

Introduction
7
1 Cities
17
2 Journeys
67
3 Motopia
119
4 Altered States
167
Conclusion
227
References
236
Select Bibliography
255
Acknowledgements
269
Index
270
Droits d'auteur

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À propos de l'auteur (2013)

Iain Borden is professor of architecture and urban culture at the Bartlett School of Architecture, University College London. He is the author of many books, including Skateboarding, Space and the City: Architecture and the Body.

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