Dominant Impressions: Essays on the Canadian Short StoryGerald Lynch, Angela Robbeson University of Ottawa Press, 1999 - 168 pages Canadian critics and scholars, along with a growing number from around the world, have long recognized the achievements of Canadian short story writers. However, these critics have tended to view the Canadian short story as a historically recent phenomenon. This reappraisal corrects this mistaken view by exploring the literary and cultural antecedents of the Canadian short story. |
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Table des matières
Introduction | 1 |
It Almost Always Starts This | 9 |
Short Stories by Early Canadian Women | 17 |
Droits d'auteur | |
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Alice Munro Alistair MacLeod American animal appears authors Bird British Brother Oedipus Callaghan Canada Canadian Literature Canadian Magazine Canadian short story Canadian writers Carman characters Charles G. D. Roberts Collected Letters critical death dian dream Duncan Campbell Scott Earth's Enigmas edited essay Family Herald father Findley Findley's Freudian myth gender roles genre girl hand hero House Hovey Hovey's human Kroetsch L'Intruse language Laurence's literary lives Livesay male Manawaka Margaret Laurence Marie Maurice Maeterlinck mirror Morley Callaghan Morley Callaghan's mother mythic narrative narrator nineteenth-century novel Oedipal story cycle Ottawa Parker perhaps Pierre Poems popular short story protagonists published Ravens that Call reader Roberts's romance Rumble Seat Sara Jeannette Duncan Seek Their Meat seems Sheila Watson short fiction signifier social socialist realism Stone symboliste tell thing tion Toronto Trans Vanessa Village of Viger Watson woman writing Youth's Companion